Regie:
Jiří ChlumskýDrehbuch:
Petr HudskýKamera:
Asen ŠopovMusik:
Elia CmiralBesetzung:
Ondřej Sokol, Jakub Kohák, Jitka Schneiderová, Petr Nárožný, Štepánka Fingerhutová, Jan Pavel Filipenský, Miroslav Etzler, Simona Krainová (mehr)Inhalte(1)
Honza Rambousek is quite likable swindler, who is in the underworld acclaimed as an expert on locks, computers, electronics and cars. He is also incorrigible womanizer and women loves him though... He is recently in a trouble, because he owns a lot of money to a mobster Vytloukal. If Honza doesn't steel a painting „Girl in Blue" from a gallery, he is done... But he is saved by an accident, somehow he meets his double, high school teacher Richard Prospal, pedant and a good guy, very hard to find. Richard miraculously changes live to both of them. Honza is enjoying Richards live at home and teaching in school, otherwise Richard is followed by mobsters, because they don't believe him he isn't Honza Rambousek. And by the time that even his daughter Natálka falls in hands of the mafia, there is nothing left to Richard then making up a plan, how to find the head of mafia and trick both him and his fellow sidekicks, getting back his daughter and the painting to safety... Comedy full if surprising and funny moments, unexpected twisted situations and messy conflict can start! (Bioscop)
(mehr)Kritiken (5)
For someone who wanted to pick up my feet and run out of the cinema during that first scene in the car, I ended up enjoying the film. In fact, if Kohák had been silent the entire time during those first few minutes, it would have been funnier. Believe it or not, before the transformation, the life of a teacher and his music-playing wife was a lot funnier than that of the thief Simona herself wants to get into the yoke. After the transformation, it's fun on both fronts. Sokol is having a blast and comes across as a natural. Etzler scores points too, giving me probably one of the biggest fits of laughter since I was a teenager. I'm just not sure about Nárožný. A stronger 3 stars.
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Ich mag Herrn Nárožný eigentlich ganz gern, aber ihn in die Rolle eines gefährlichen Mafioso zu besetzen, war der Castingfehler des Jahres. Ansonsten kann sowohl Regie als auch Drehbuch nur als Dilettantismus bezeichnet werden. Alles, von schauspielerischen Leistungen bis hin zu Schnitt und Musik, ist bedauerlich und mir fällt nichts ein, was ich auch nur ein bisschen positiv hervorheben könnte. Vielleicht Herrn Čtvrtníček und Herrn Šteindler. Aber auch sie können es mit ihren wenigen Minuten Etüden nur schwer retten.
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Ich habe etwas zum Ausspannen erwartet und genau das bekommen. Ich habe recht viel gelacht, und obwohl Doubles nicht um die eine oder andere Peinlichkeit herumkamen, überwiegt der positive Eindruck. Das Thema Verwechslungen und Doppelgänger ist für eine Komödie wie geschaffen, wenn es also jemand nur etwas geschickt anpackt, muss sich zumindest ein minimaler Erfolg einstellen. Ondřej Sokol mag ich vor allem wegen seiner Leistungen als Schauspieler im Schauspielklub, doch in Filmen und Komödien im Besonderen kann er sich auch entsprechend ausarbeiten. Doubles verdient insgesamt so dreieinhalb Sternchen, doch da ich mich mehr als gut amüsiert habe, tendiere ich zu einer Bewertung nach oben.
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This seems to be an authentic Czech controversial film because the ratings of the users I follow cover almost the entire scale. A one-star rating was missing, but I quickly fixed that, and now it's complete. The humor was there, but the creators pushed it too much, to the point of wearing it thin. However, there were still moments here and there that made me laugh, so the film wasn't a complete flop, even though the screenwriter tried. Jakub Kohák has become a symbol of low quality for me; however, Ondřej Sokol balanced the situation. I didn't like him until recently, but I have become quite fond of his cheeky face. / "Those who won't bring anything tomorrow won't see the Big Bang." / Lesson learned: If you want to see mind triumph over matter, you will like this film.
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It's neither fatty nor salty, but it's actually quite an average comedy that just shows we don't have many good ideas for stories anymore, this is pretty cliché, but we still have a sense of humor and there is definitely something to laugh at in this film. Koháka is sometimes a bit too much, but here his stupidity is quite fine.
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