Persepolis - Der Animationsfilm von Marjane Satrapi
Drehbuch:
Vincent ParonnaudMusik:
Olivier BernetBesetzung:
Chiara Mastroianni, Catherine Deneuve, Danielle Darrieux, Simon Abkarian, Arié Elmaleh, Sean Penn, Iggy Pop, Gena Rowlands, Stéphane Foenkinos (mehr)Inhalte(1)
Marjane ist acht Jahre alt, als die Mullahs den Schah aus Persien vertreiben und die Macht übernehmen. Die Welt ist auf einmal eine andere, aber das rebellische Mädchen denkt gar nicht daran, sich den neuen strengen Regeln zu unterwerfen. Viel lieber entdeckt sie den Punk, ABBA, Iron Maiden und natürlich Jungs. Sie ahnt nicht, dass ihr spielerischer Protest gefährlich ist - nicht nur für sie selbst, sondern auch für ihre Familie. (KinoweltTV)
(mehr)Kritiken (6)
Ein Animationsfilm für Erwachsene, der das Publikum mit seiner Originalität und Kreativität begeistert. Der ausgezeichnete Humor ist unterhaltsam und das Erzählen der Lebensgeschichte, deren Stoff für ein abendfüllendes Drama reichen würde, ist gefühlvoll. Die Einzigartigkeit des Films wird durch den rein weiblichen Blick auf manche Dinge verstärkt, der oft für die gelungensten Witze sorgt.
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I haven’t seen animation this good in a really long time. Today, the popular thing is to make things as colorful as possible and to make the movie in 3D on top of that. On the one hand, the animation in Persepolis looks fairly simple and, on the other hand, it exudes so much emotion that you will feel it as well. What’s more, the authors tell a very interesting story of a young girl at a time of Iran’s transition into a totalitarian state and it looks that it’s doing so in a fairly objective form. An animated film for adults that awoke a country like Iran to express and show what it thinks about western culture. In my opinion it’s pretty telling and factual…
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Punk is not DEAD! Persepolis is not brilliant or innovative. It's not even flawless. However, thanks to its adaptation, pleasantly apt perspective, and, above all, thanks to the sincerity-exuding testimony about growing up in Iran and emigration, Persepolis is a disarming affair - embellished with pleasant details (like the animated Derrick) and an amazing musical component. As a whole, Marjane Satrapi's autobiographical reminiscences create an absolutely enchanting film which was strengthened by its animated form. But those who are familiar with Vincent Paronnaud and adult comics like Epileptic will probably not be surprised. Persepolis also is equal to the vast majority of high-quality fiction art production. Actually, it beats most of it by a mile and is the best animated film since The Triplets of Belleville. P.S.: The original is more interesting and the plot is more extensive, but it’s not as emotional and captivating.
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I had the opportunity to see Persepolis shortly after the start of a film festival, and it became clear to me right away that I was watching the winning film of the 2008 edition. This exceptionally emotive work, based on the internationally renowned graphic novel by Marjane Satrapi, captivated me with its atmosphere, visual style, and the fact that it stands out very distinctly from the vast majority of contemporary commercial animated productions. It is simply in a completely different league. A film that is worlds apart from the mainstream. It doesn't give the viewer anything for free and is not a typical family spectacle. It is a work from the realm of art for a mature audience and one of the absolute peaks of animated production. Overall impression: 100%. I consider it a very successful development of the comic, visually richer and enriched with a typically cinematic dimension. The serious theme is presented in a light-hearted way, with some small jokes and gags (a punk slogan on a jacket, buying records on the black market, dealing with a partner's infidelity). A humorous idyll quickly turns into a minefield through which fanatically indoctrinated children run in search of happiness in the promised paradise... A film about coming of age in a complex political situation in a country that is not free, where a series of banal situations can turn into cruel drama; about the clash of cultures and value systems, about the search for one's own identity, love, and security. It is good to watch the film with a certain understanding of Iranian history, but even without it, it is a great ride. The colors in the film are also guided by the mood of the protagonist - for the most part, it is made in black and white.
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I saw the film for the first time in the year of its premiere. But this is something that is still worth it. Excellent, civil storytelling about what life is like for a single woman in Iran, who cannot find understanding in her homeland, but unfortunately, that does not mean she will find happiness beyond its borders. But at least she has that freedom, if nothing else.
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