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Mit Grips und abgestumpftem Sarkasmus will Wednesday Addams eine Mordserie aufklären, findet dabei jedoch an der Nevermore Academy nicht nur Freunde, sondern auch Feinde. (Netflix)
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Ich liebe die beiden Addams-Family-Filme aus den 90er Jahren ebenso sehr wie die Werke von Tim Burton, also war Wednesday für mich ein Muss. Ich denke, dass Burton eine großartige Wahl für den Regiestuhl war, obwohl es stimmt, dass seine jüngsten Filme nicht an die Qualität seiner früheren Arbeiten heranreichen. Mehr als einmal, während ich die Serie sah, wurde ich an einige seiner früheren Filme erinnert - insbesondere an Die Insel der besonderen Kinder und Sleepy Hollow. Um gleich zu Beginn einige Kritikpunkte aus dem Weg zu räumen: Ich hatte erwartet, dass Wednesday mehr schwarzen Humor aufweist und weniger auf ein jüngeres jugendliches Publikum ausgerichtet ist. Dennoch haben mir die acht Episoden gefallen, und ich mochte die Tatsache, dass die Serie einen leichten Krimitouch hatte, obwohl die Enthüllung des Täters nicht so schockierend war wie im Fall von Sleepy Hollow. Jenna Ortega ist niedlich, ich habe mich auch gefreut, Christina Ricci für eine Weile als Wednesday aus den 90ern zu sehen, und ich habe es sehr geschätzt, dass die Addams-Familie nicht viel Platz bekommen hat, denn Zeta-Jones und Guzmán haben mich viel weniger interessiert als Huston und Julia. Auch die überlange Gwendoline Christie hat mir gut gefallen, während die Charaktere und Schülervertreter weniger einprägsam waren. Zu guter Letzt darf ich nicht vergessen, das geschmeidige Ding und Onkel Fester zu erwähnen (obwohl mir Lloyd auch besser gefallen hat). Neben den Aspekten Mystery-Fantasy, Humor und Krimi spricht Wednesday auch auf gesellschaftlicher Ebene an - der erhobene Zeigefinger gegenüber Menschen, die (jegliche) Minderheiten verurteilen, war unübersehbar. Abschließend muss ich sagen, dass ich wahrscheinlich mehr von der Serie erwartet habe, aber ich würde lügen, wenn ich sagen würde, dass ich mich nicht auf jede neue Folge gefreut hätte. Schwächere vier Sterne! ()
A really well-done young adult series that even longtime Tim Burton fans will appreciate. I was entertained from start to finish. It has a Harry Potter Hogwarts vibe but in a more mature setting. However, with only eight episodes, it didn't cover much beyond the main plot. I hope this isn't the end because Jenna Ortega truly shines in the role. It's great that the focus is mainly on her, as the rest of the Addams family casting was a bit disappointing. That's why I'm giving it four stars. I'm happy with how Wednesday's character was portrayed, but some roles are so iconic that they can't be replicated. Only Christina Ricci can travel through time within the Addams family. ()
The Addams' nihilistic-sarcastic daughter in a "sort of Hogwarts school" in the guise of new concepts from Sabrina or Riverdale; i.e. some mysteries, murders, secrets and high-school loves like from Heartbreak High. The on paper biggest setback of a one-note central character who has a speechless prop as a sidekick is not a weakness at all. Ortega is both assured and mesmerizing, not merely imitating the iconic Ricci, and Thing is used playfully and imaginatively. The problems are elsewhere. The conception of Wednesday as a goth teen isn't always entirely happy; in the original Wendy, that wasn't a shell protecting her emotions, but her true self. The weaker detective mystery is also a shame. Above all, though, it's dragged down by the filler, of which there's far too much for just eight episodes. In any case, solid as a one-note fantasy macabre high school relationship show. There is a lot to build on, the concept is solid, just not yet fully exploited. | S1: 3/5 | ()
I adore the Addams Family and of course I gradually found a liking for all formats on this topic, including juvenile cartoons. However, years after the original idea of Papa Addams (first published in newspapers in 1938), the family broke up into the spin-off Wednesday, along with the fact that the adolescent heroine plays the main role in the musical "Addams Family" by Andrew Lippa (2009). I'm not sure if this is the ideal path for a modern continuation of the Addams Family, but if it keeps the brand alive, then it must be enough. The concept of the series combines the frameworks around boarding schools with youthful monsters (hello Monster High), but primarily it's a detective story, which is actually a shame. There are some good things here - for example, the relatives of the Addams in supporting roles or fun with the founding fathers. Some of Wednesday's classmates are interesting monsters, but that's about it. We'll see if the 2nd season happens to improve. ()
Tim Burton made a spin-off of The Addams Family for Netflix and it's a future classic for modern audiences, but it will also please fans of Burton's work. Wednesday is an unexpected hit and another big success for Netflix, I was worried it would be a mere teen consumerist thriller, but it's awesome in every way. Wednesday is an honest and dark whodunit that would be the envy of Agatha Christie with the essence of Harry Potter set in the world of the Addams family with a dash of horror. This is a cocktail that tastes delicious. Stealing the whole show for herself is Jenna Ortega, the modern day Scream Queen (Babysitter, Scream, X, Wednesday), a decent horror career for 20 years, (I want to see Samara Weaving, Jenna Ortega and Anya Taylor-Joy in one movie!). Ortega was born to play Wednesday, her sarcasm and cynicism makes her an iconic character and a compelling detective that even Sherlock Holmes would want as a partner. It's rare that a female character can pull off an entire movie let alone a series, but Ortega pulls it off with aplomb, she doesn't take shit from anyone, and her wisecracks and cute looks are a downright hit. Visually, Wednesday is very fine, the script is decent, it's written very smartly (not just the dialogue itself, but the plot twists – the final one is unexpected!), the music is gppd, the supporting characters are likeable, the setting of Nevermore School is reminiscent of the best of HP, and I liked the unconventional central monster (it doesn't build on any explicit violence or jump-scares, but I don't mind that here). This is a fresh and fun genre thing that will please teens and adults alike, and that rarely happens. A big plus is also the fierce nature of the story, where fun plays a major role and the whole 8 episodes can be watched in one breath and it is really enjoyable. 8/10 ()
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