Meg

I’m actually not all that surprise by Jason Statham being in this film. MEG is quite a quality b-rated movie, which looks stupid only in those moments when Jason doesn’t have a beer in his hand. Because when he does, he looks like the coolest guy under the sun, so I think he should’ve had one even while he was holding a fishing rod with the megalodon in his other hand. (01.11.2019)

Jason Statham attempts to stop a giant prehistoric shark that scientists say should be long extinct but is still alive. And it's hungry. The Meg is an thoroughbred action B-movie, pulled forward by an excellent Statham and a big budget that Jon Turteltaub does some pretty wild things with. It's a shame, then, that by the end they softened up and the megalodon rampage has to do without blood. But it's still pretty entertaining crap. (09.08.2018)

Jon Turteltaub serves up a solid shark spectacle for 130 million USD. I went to the cinema without expectations and left pleasantly surprised. Jason Statham is absolutely superb and pulls the whole film up, and the gorgeous Ruby Rose and the verbose black guy who provides the entertainment are also good. The budget really comes through and it's a pleasure to see the underwater world with all that goes with it, including the giant Megalodon, which is nicely cunning and sneaky. The film reminds me of a mix of Deep Blue Sea and Jaws, and for a PG-13 film it's very bloody in places (the scene with the whale with its guts sticking out on camera just had me gawking). The scares work, a few people jumped out of their seats nicely during the screening, and the director serves up some great suspense with Statham's life on the line several times. For me, perfect entertainment with nerve-wracking suspense. The scene with the helicopter is the highlight. 80%. (16.08.2018)

Entertaining idiocy about a bloodthirsty prehistoric shark, in which Statham sings the same tune as Dory in Finding Nemo. The tricks are solid and the B-movie screenplay is supported by essential crutches such as a whining black guy, a bothersome billionaire and the requisite love story. But the movie also has a British joker up its sleeve who used to be a professional swimmer and saves everything, including the movie. I enjoyed it. (04.10.2019)

Ein zweitklassiger Durchschnitt, den man wahrscheinlich vergessen wird. Der Film bräuchte einen anderen Regisseur – z. B. Stephen Sommers oder Joe Johnston, die aus dem absichtlich dummen Plot einen besseren Streifen machen würden. John Turteltaub kann es nicht. (22.08.2018)

MEG runs mostly on two things: the predictable problem with accessibility, which makes the potentially adrenaline-pumping and thrilling premise suffer from constant downplaying and visual softness; and the attempts to humanize the main characters, which mostly look terribly ridiculous – we have the most classic cast: from a doctor to a whiny black man to a pretty scientist, and of course we have Jason Statham, who is initially mired in booze and remorse, but for most of the film he's an incredibly cool, fearless superhero, so that the viewer gradually comes to see the shark not as a terrible threat, but as someone looking forward to Jason’s next heroic stunt. But I’m cool with it. MEG lost any A-grade ambitions with the announcement of the creative team, and the production poured the 150 million into deliberately dumbed-down and great-looking entertainment where everybody es having plenty of fun (Statham pulls it off outrageously, Turteltaub occasionally delights with inventive action or suspenseful point-of-view shots), and if it weren't for the aforementioned attempt at personal conflicts and the associated boring dialogue, the film would have flown by. Making a family film with a bloodthirsty shark is no joke, and the creators quite managed it. Even the dog survives in the end. 60% (15.08.2018)

Ich habe mir Meg (alodon)a sowohl aus Nostalgie als auch aus Neugierde angesehen, weil ich sehen wollte, wie Jason Statham in einem so hoch budgetierten Film mit einem übergroßen Knorpelfisch umgehen würde, und ich habe keine Wunder erwartet. Im Ergebnis war der Film recht gut anzusehen, vor allem dank der Tatsache, dass der Hai realistisch aussah und die Macher einen recht fesselnden Einblick in das geheimnisvolle Leben in den Tiefen des Meeres boten. Kritisieren würde ich allerdings die für einen Film dieser Art etwas längere Laufzeit und die Einfügung von überflüssiger Beziehungs- und Familienwatte, die man leicht ins Meer hätte werfen oder durch mehr Action (und sogar Blut) ersetzen können. Als Film, den man nur einmal sieht, ist Meg jedoch ideal. (16.09.2018)

Chinese people like American blockbusters, yet at the same time they don't have the same demands from them as the American market. And movie studios realize that targeting a multi-million dollar market, which by virtue of the absence of any cultural alternative has inherently easier movie motives, is the way to a giant vault above the city where they can jump into a pile of dollars in a one-piece bathing suit. The Great Wall, starring Matt Damon, was a similar attempt at such a breakthrough, and it lived up to the expectations of a colorful, passionate, expensive action movie starring an American superstar. The Meg is aimed purely at the Chinese market, just by the way the actors are forced to act... Chinese. Excessive emotional expression, unnecessary gestures, sweeping gesticulations, plus the constant cuts to the people who are currently speaking. Not to mention a funny attempt to prove the moral superiority of the Chinese crew members over everyone else with their constant self-sacrifice or impassioned speeches about how man is hurting nature. I have no reason not to think that the disjointed scene where the American millionaire, who had been behaving quite normally – helping characters in trouble etc. – now decides to kill all the characters with Semtex was an afterthought, imposed by the demands of the Chinese production company. Why did there have to be some helicopters exploding completely randomly? Because Chinese audiences like exploding helicopters. We might just as well ask why the actress Ruby Rose had her tattoos repainted in the makeup room into Chinese visuals. Could it perhaps be because tattooed crosses aren't exactly popular with the Chinese? The Warners are betting that audiences will adapt to whatever succeeds in China, for which they deserve no more than one star. A perfectly clean equation of the film and the product. (13.11.2018)