Ein riskanter Plan

Inside Man von Spike Lee ohne Hirn. Ein naiver Thriller, der durchdacht wirken möchte und die Absicht hat, dem Publikum immer einen Schritt voraus zu sein, der aber das genaue Gegenteil erreicht – von den ersten Anzeichen der fehlenden Logik über die Kadenz der Klischees bis hin zu dem ungewollt lächerlichen Finale, welches aus den Zuschauer*innen Idioten macht. Dabei ist er nicht als Parodie gedacht, im Gegenteil – der Film macht ein schlaues und cooles Gesicht. Technisch professionell, aber im Drehbuch knüpfen die Szenen nicht aneinander an und das Anweisen der Schauspieler*innen vom Regisseur ist auch daneben (insbesondere Elizabeth Banks, bei der es so aussieht, als ob ihr niemand gesagt hätte, was sie in den Szenen spielen soll). (01.02.2012)

Ich mag es nicht, wenn dumme Filme versuchen, das Publikum davon zu überzeugen, dass sie nicht dumm sind, und wenn es ihnen nicht gelingt. Ein riskanter Plan ist einer von diesen Filmen. Dabei ist die Idee gar nicht mal so schlecht (in einer der CSI-Fernsehserien wäre solch eine Folge richtig gut – ohne Ironie). Die Schauspielbesetzung fand ich interessant. Tja, was kann man machen. Wenigstens hat es nicht sehr wehgetan. (20.09.2012)

Elizabeth Banks needed a little more for me to believe that she is truly a professional in negotiation. But let's start from the beginning. "Man on a Ledge" reveals everything to us right from the start. There is no secret left in the film, and that is a shame. The first quarter of an hour looks good, but then suddenly all the cards are revealed. What would poker look like if everyone laid their cards on the table and then decided how much to bet and who would fold? Everyone would give up on that kind of poker. Sam Worthington plays Nick Cassidy, who climbs out of his hotel room onto a ledge and seems like he wants to jump. He doesn't, and waits for the police so he can order the mentioned negotiation specialist, Elizabeth Banks, who is simply terrible. As if she doesn't know what she's playing at all. When they talk a little, the audience suddenly realizes, very soon, why Nick is on the roof. At that moment, the audience loses interest in the plot because everything is already told to them. From a fairly good thriller, it then becomes an ordinary heist film - simply a film about a robbery, which is not saved even by the witty Jamie Bell and his sexy colleague. The tense moments from the beginning are killed by pseudo-comedic elements, so nothing like King and his story about the ledge happens. The ending is already completely dumb in a Hollywood way, which Ed Harris, who is the biggest positive, does not deserve. Compared to this film, I would definitely prefer "The Master Plan" from recent times. More: http://www.filmovy-denik.cz/2012/07/mistrovsky-plan-nerdi-bel-ami-susi.html (24.02.2013)

Ocean’s Eleven (slyness, elegance, a team, a main boss supervillain in an expensive suit), Phone Booth (attempt at thrilling pace and tense dialogues), Inside Man (nothing is as it seems). It's a mix of a number of films without any real balls. Without Genesis Rodriguez (for her looks) and Ed Harris, it would be significantly weaker than the standard in this genre. Fortunately, the chemistry between Sam Worthington and Elizabeth Banks works pretty well. Worth watching once and putting it on the shelf, so it can gather dust. (08.07.2012)

Fairly simple claptrap for omnivores. The story is the trailer and a couple of extra twists (+ cynical Ed Harris) that bring the movie up to three-star level. The screenplay is dumbly assembled and the whole plan in fact makes no sense. I liked the crowd’s realistic behavior at most times. A greedy flock of sheep shouting “Jump!" (11.05.2012)