Regie:
Ryūhei KitamuraKamera:
Jonathan SelaBesetzung:
Bradley Cooper, Vinnie Jones, Brooke Shields, Leslie Bibb, Peter Jacobson, Roger Bart, Tony Curran, Barbara Eve Harris, Ted Raimi (mehr)Inhalte(1)
Endlich bekommt der Fotograf Leon (Bradley Cooper) seine große Chance – die angesehene Galeristin Susan Hoff (Brooke Shields) ist zwar überzeugt von seinem Talent aber auch der Meinung, seinen Arbeiten fehle noch der letzte Schliff. So beauftragt sie Leon, tief in die Dunkelheit der Stadt einzutauchen und ihre wahre Seele abzulichten. Leon begibt sich nun auf nächtliche Streifzüge um unverfälschte Eindrücke zu bekommen und seinen Fotos die nötige Authentizität zu verleihen. Da diese Ausflüge nicht ungefährlich sind und Leon mit urbaner Kriminalität konfrontiert wird, bekommt es dessen Freundin Maya (Leslie Bibb) zunehmend mit der Angst zu tun, ihm könne etwas passieren. Die Sorge ist nicht unbegründet denn Leon wird immer obsessiver und verfolgt eine ihm verdächtige Person – ein schweigsamer Hüne, der tagsüber als Schlachter arbeitet und abends in wenig besetzten U-Bahn-Abteilen verschwindet. Besteht zwischen dem mysteriösen Metzger (Vinnie Jones) eine Verbindung zu den Menschen, die regelmäßig in der U-Bahn verschwinden? (Tiberius Film)
(mehr)Kritiken (7)
This thriller has an interesting atmosphere and a slow, creeping pace, spiced up with blood and brutality. But it is fatally dragged down by unsuitable action visuals and especially the ostentatiously cheap effects used for the murders. I might have tolerated this if it was an experimental B-movie by film-school students who don’t know where their talent lies or what genre they’re working in, unnecessarily relying on superficial pop-cultural showiness just to be “in”.
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I love these cocktails of atmospheric and bloody horror. The Midnight Meat Train is a lot better in the second half, with blood splattering out of the screen during the fights with the butcher Vinnie Jones while Barker’s atmosphere is everywhere. But the first half isn’t boring either, it has several very tense scenes and the aforementioned Jones makes you afraid just by looking at him, especially when he’s wielding a butcher’s hammer and hatchet. The style is very interesting (the camera, the colours) and makes the film memorable, although there’s a risk that it will not appeal to a big part of the audience – not everyone will like its cold (sterile metal) style. Many people are complaining about the final twist, but I personally liked a lot.
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It's like two directors pitted against each other. One insists on music with every subsequent murder, while the other keeps urging Master Bradley Cooper to act more dramatically and seriously, the bloodier the whole train becomes. And though I like Bradley's acting in a hundred different ways, except for a few romantic scenes, it simply doesn't fit here. Moreover, due to surprisingly bad Leslie Bibb and the entire second half, there was no surprise ending or nice reveal, just an overly fattening gimmick.
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Although it is a stupidly simple film with a bizarre ending, the urban feeling and brutal murders elevate it to at least an average level. Kitamura is a master with the camera, as his tricks would confuse even Michael Bay. For horror fans, there are litres of blood and “off the record” events and it is an absolute must-watch. For the rest of the population, it is a pure WTF matter that someone would throw in a corner while others devour it like a raspberry.
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Disgusting! Sometimes I wonder the roles that popular and good actors are willing to take. True, Bradley Cooper was just getting into the big leagues, and Vinnie Jones has such a naturally deadpan expression that the role of the psychopathic and taciturn butcher is perfect for him, but do these two need to be plunging knives into lifelessly hanging corpses and wallowing in rotting entrails? The Midnight Meat Train is a repulsive spectacle, at first perhaps nicely atmospheric and narratively interesting, but gradually everything gets overshadowed by a cloud of cheap clichés, disgustingly digital and overly bloody murders and relentless carnage in the last quarter of an hour, which, moreover, culminates in one of the most moronic and shocking twists I could ever imagine. I don't mind the brutality, but the creators could have left the sci-fi aside (although it explained everything beautifully). 50%
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Clive Barker has always been one of my favorite horror authors, and the creators of this film managed to adapt one of his stories pretty well. Sure, they had to sprinkle in something extra to bring it to the screen, but overall, I was pretty pleased with the result. It could have gone much worse, believe me. Clive Barker's horror has never shied away from bloodshed (though he knows how to create horror in other ways), and the filmmakers respected that. Instead of action scenes in pitch-black darkness, they went for raw brutality, in which no eye was left in its socket, and the British Terminator was perfect for it. I can't help but wonder if the number of passengers on late-night New York subway trains dropped after the American premiere. / Lesson learned: If you're afraid, don't ride the subway.
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The Midnight Meat Train tries a little too hard than it really needs to when it comes to its script, but it makes up for it with two facts: the great Vinnie Jones, who was simply perfect for the role, and then the special effects, where the flesh and blood really give the impression that you are in a slaughterhouse. A filthy human slaughterhouse. Of course, when a woman hangs by her legs, her breasts hang too...
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