Auszeichnung - Academy Awards - 1945-1954
Nationale Auszeichnungen
- Academy Awards
- Independent Spirit Awards
- British Academy of Film and Television Arts (BAFTA)
- British Independent Film Awards (BIFA)
- European Film Awards
- César Awards
- Goya Awards
- Deutscher Filmpreis
- Robert Awards (Danish Film Awards)
- Jussi Awards
- Czech Lion Awards
- Sun in a Net Awards
- Polish Film Awards
- Hungarian Motion Picture Awards (Hungarian Film Awards)
- Filmfare Awards
- Guldbagge Awards
- Amanda Awards
- AACTA International Awards
- Hong Kong Film Awards
Filmfestivals
- Cannes Film Festival
- Venice Film Festival
- Berlinale (Internationale Filmfestspiele Berlin)
- Toronto International Film Festival
- Tribeca Film Festival
- Sundance Film Festival
- Karlovy Vary International Film Festival (KVIFF)
- Zurich Film Festival
- San Sebastián International Film Festival
- Sitges Film Festival
- Shanghai International Film Festival
- Warsaw International Film Festival
- Miami Film Festival
- Montreal World Film Festival
- Hong Kong International Film Festival (HKIFF)
- Melbourne International Film Festival (MIFF)
- Tallinn Black Nights Film Festival
- Ji.hlava International Documentary Film Festival
- Zlín Film Festival
- FAMUfest
- Norwegian International Film Festival Haugesund
- Avoriaz International Fantastic Film Festival
Kritikauszeichnungen
- Golden Globes
- Critics Choice Awards
- Florida Film Critics Circle Awards
- Los Angeles Film Critics Association Awards
- New York Film Critics Circle Awards
- Czech Film Critics Awards
Genreauszeichnungen
Schmähpreise
1954 - The 26th Academy Awards
Best Motion Picture of the Year
Verdammt in alle Ewigkeit
Best Motion Picture of the Year
Best Achievement in Directing
- Fred Zinnemann (Verdammt in alle Ewigkeit)
- George Stevens (Mein großer Freund Shane)
- Charles Walters (Lili)
- Billy Wilder (Stalag 17)
- William Wyler (Ein Herz und eine Krone)
Best Performance by an Actor in a Leading Role
- William Holden (Stalag 17)
- Marlon Brando (Julius Cäsar)
- Richard Burton (Das Gewand)
- Montgomery Clift (Verdammt in alle Ewigkeit)
- Burt Lancaster (Verdammt in alle Ewigkeit)
Best Performance by an Actress in a Leading Role
- Audrey Hepburn (Ein Herz und eine Krone)
- Leslie Caron (Lili)
- Ava Gardner (Mogambo)
- Deborah Kerr (Verdammt in alle Ewigkeit)
- Maggie McNamara (Wolken sind überall)
Best Performance by an Actor in a Supporting Role
- Frank Sinatra (Verdammt in alle Ewigkeit)
- Eddie Albert (Ein Herz und eine Krone)
- Brandon De Wilde (Mein großer Freund Shane)
- Jack Palance (Mein großer Freund Shane)
- Robert Strauss (Stalag 17)
Best Performance by an Actress in a Supporting Role
- Donna Reed (Verdammt in alle Ewigkeit)
- Gracia Patricia (Mogambo)
- Geraldine Page (Man nennt mich Hondo)
- Marjorie Rambeau (Torch Song)
- Thelma Ritter (Polizei greift ein)
Best Documentary Feature
Best Original Screenplay
- Charles Brackett, Richard L. Breen, Walter Reisch (Untergang der Titanic)
- Betty Comden, Adolph Green (Vorhang auf!)
- Richard Murphy (Die Wüstenratten)
- Harold Jack Bloom, Sam Rolfe (Nackte Gewalt)
- Millard Kaufman (Sprung auf, marsch, marsch!)
Best Adapted Screenplay
- Daniel Taradash (Verdammt in alle Ewigkeit)
- Eric Ambler (Der große Atlantik)
- Helen Deutsch (Lili)
- John Dighton, Ian McLellan Hunter (Ein Herz und eine Krone)
- A.B. Guthrie Jr. (Mein großer Freund Shane)
Best Original Story
- Dalton Trumbo (Ein Herz und eine Krone)
- Above and Beyond
- Der Schlüssel zum Paradies
- Man nennt mich Hondo
- Der kleine Ausreißer
Best Cinematography (Color)
- Loyal Griggs (Mein großer Freund Shane)
- George J. Folsey (Die schwarze Perle)
- Edward Cronjager (Das Höllenriff)
- Robert H. Planck (Lili)
- Leon Shamroy (Das Gewand)
Best Cinematography (Black-and-White)
- Burnett Guffey (Verdammt in alle Ewigkeit)
- Hal Mohr (Das Himmelbett)
- Joseph Ruttenberg (Julius Cäsar)
- Joseph C. Brun (Martin Luther)
- Henri Alekan, Franz Planer (Ein Herz und eine Krone)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Bronislau Kaper (Lili)
- Hugo Friedhofer (Above and Beyond)
- George Duning, Morris Stoloff (Verdammt in alle Ewigkeit)
- Miklós Rózsa (Julius Cäsar)
- Louis Forbes (This Is Cinerama)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Sammy Fain (Schwere Colts in zarter Hand) - "Secret Love"
- Wolken sind überall - "The Moon Is Blue".
- Small Town Girl - "My Flaming Heart"
- Miss Sadie Thompson - "Sadie Thompson's Song (Blue Pacific Blues)"
- The Caddy - "That's Amore"
Best Scoring of a Musical Picture
- Alfred Newman (Madame macht Geschichten)
- Adolph Deutsch (Vorhang auf!)
- Ray Heindorf (Schwere Colts in zarter Hand)
- Friedrich Hollaender, Morris Stoloff (The 5,000 Fingers of Dr. T)
- Saul Chaplin, André Previn (Küss mich, Kätchen)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
- Verdammt in alle Ewigkeit
- Schwere Colts in zarter Hand
- Die Ritter der Tafelrunde
- Die Welt gehört ihm
- Kampf der Welten
Best Short Subject (One-reel)
- Merry Wives of Windsor, The
- Wee Water Wonders
- Joy of Living
- Herring Hunt
- Christ Among the Primitives
Best Short Subject (Two-reel)
- Bear Country
- Geschichten aus Walt Disneys Schatztruhe
- Return to Glennascaul
- Winter Paradise
- Vesuvius Express
Best Animated Short Film
Best Documentary Short Film
Honorary Award
- Bell and Howell Company
- 20th Century-Fox Film Corporation
- Joseph I. Breen
- Pete Smith
1953 - The 25th Academy Awards
Best Motion Picture of the Year
Die Größte Schau der Welt
Best Motion Picture of the Year
Best Achievement in Directing
- John Ford (Der Sieger)
- Cecil B. DeMille (Die Größte Schau der Welt)
- John Huston (Moulin Rouge)
- Joseph L. Mankiewicz (5 Fingers)
- Fred Zinnemann (Zwölf Uhr mittags)
Best Performance by an Actor in a Leading Role
- Gary Cooper (Zwölf Uhr mittags)
- Marlon Brando (Viva Zapata)
- Kirk Douglas (Stadt der Illusionen)
- José Ferrer (Moulin Rouge)
- Alec Guinness (Einmal Millionär sein)
Best Performance by an Actress in a Leading Role
- Shirley Booth (Kehr zurück, kleine Sheba)
- Joan Crawford (Eiskalte Rache)
- Bette Davis (The Star)
- Julie Harris (The Member of the Wedding)
- Susan Hayward (Mit einem Lied im Herzen)
Best Performance by an Actor in a Supporting Role
- Anthony Quinn (Viva Zapata)
- Richard Burton (My Cousin Rachel)
- Arthur Hunnicutt (Der weite Himmel)
- Victor McLaglen (Der Sieger)
- Jack Palance (Eiskalte Rache)
Best Performance by an Actress in a Supporting Role
- Gloria Grahame (Stadt der Illusionen)
- Jean Hagen (Du sollst mein Glücksstern sein)
- Colette Marchand (Moulin Rouge)
- Terry Moore (Kehr zurück, kleine Sheba)
- Thelma Ritter (Mit einem Lied im Herzen)
Best Documentary Feature
Best Original Screenplay
- T.E.B. Clarke (Einmal Millionär sein)
- Sydney Boehm (Die Stadt der tausend Gefahren)
- Terence Rattigan (Der unbekannte Feind)
- Ruth Gordon, Garson Kanin (Pat und Mike)
- John Steinbeck (Viva Zapata)
Best Adapted Screenplay
- Charles Schnee (Stadt der Illusionen)
- Michael Wilson (5 Fingers)
- Carl Foreman (Zwölf Uhr mittags)
- John Dighton, Roger MacDougall, Alexander Mackendrick (Der Mann im weißen Anzug)
- Frank S. Nugent (Der Sieger)
Best Original Story
- Frank Cavett, Fredric M. Frank, Theodore St. John (Die Größte Schau der Welt)
- My Son John
- Um Haaresbreite
- The Pride of St.Louis
- The Sniper
Best Cinematography (Color)
- Winton C. Hoch, Archie Stout (Der Sieger)
- Harry Stradling Sr. (Hans Christian Andersen und die Tänzerin)
- Freddie Young (Ivanhoe - Der schwarze Ritter)
- George J. Folsey (Million Dollar Mermaid)
- Leon Shamroy (Schnee am Kilimandscharo)
Best Cinematography (Black-and-White)
- Robert Surtees (Stadt der Illusionen)
- Russell Harlan (Der weite Himmel)
- Joseph LaShelle (My Cousin Rachel)
- Virgil Miller (Navajo)
- Charles Lang (Eiskalte Rache)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Dimitri Tiomkin (Zwölf Uhr mittags)
- Miklós Rózsa (Ivanhoe - Der schwarze Ritter)
- Max Steiner (Die Heilige von Fatima)
- Herschel Burke Gilbert (Ich bin ein Atomspion)
- Alex North (Viva Zapata)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Dimitri Tiomkin (Zwölf Uhr mittags) - "High Noon (Do Not Forsake Me, Oh My Darlin')"
- Son of Paleface - "Am I in Love"
- Mein Herz singt nur für dich - "Because You're Mine"
- Hans Christian Andersen und die Tänzerin - "Thumbelina"
- Nur für dich - "Zing a Little Zong"
Best Scoring of a Musical Picture
- Alfred Newman (Mit einem Lied im Herzen)
- Walter Scharf (Hans Christian Andersen und die Tänzerin)
- Ray Heindorf, Max Steiner (The Jazz Singer)
- Gian Carlo Menotti (Medium, The)
- Lennie Hayton (Du sollst mein Glücksstern sein)
Best Achievement in Production Design
- Moulin Rouge
- Hans Christian Andersen und die Tänzerin
- Die lustige Witwe
- Der Sieger
- Schnee am Kilimandscharo
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
- Moulin Rouge
- Die Größte Schau der Welt
- Die lustige Witwe
- Hans Christian Andersen und die Tänzerin
- Mit einem Lied im Herzen
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
- Der unbekannte Feind
- Hans Christian Andersen und die Tänzerin
- The Card
- Der Sieger
- Mit einem Lied im Herzen
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
- Tom und Jerry - Katz und Maus im Walzertakt
- Little Johnny Jet
- Madeline
- Pink and Blue Blues
- The Romance of Transportation in Canada
Best Documentary Short Film
Honorary Award
- Verbotene Spiele
- Harold Lloyd
- Bob Hope
- Merian C. Cooper
- George Mitchell
- Joseph M. Schenck
1952 - The 24th Academy Awards
Best Motion Picture of the Year
Ein Amerikaner in Paris
Best Motion Picture of the Year
- Ein Amerikaner in Paris
- Entscheidung vor Morgengrauen
- Ein Platz an der Sonne
- Quo Vadis
- Endstation Sehnsucht
Best Achievement in Directing
- George Stevens (Ein Platz an der Sonne)
- John Huston (African Queen)
- Elia Kazan (Endstation Sehnsucht)
- Vincente Minnelli (Ein Amerikaner in Paris)
- William Wyler (Polizeirevier 21)
Best Performance by an Actor in a Leading Role
- Humphrey Bogart (African Queen)
- Marlon Brando (Endstation Sehnsucht)
- Montgomery Clift (Ein Platz an der Sonne)
- Arthur Kennedy (Sieg über das Dunkel)
- Fredric March (Death of a Salesman)
Best Performance by an Actress in a Leading Role
- Vivien Leigh (Endstation Sehnsucht)
- Katharine Hepburn (African Queen)
- Eleanor Parker (Polizeirevier 21)
- Shelley Winters (Ein Platz an der Sonne)
- Jane Wyman (The Blue Veil)
Best Performance by an Actor in a Supporting Role
- Karl Malden (Endstation Sehnsucht)
- Leo Genn (Quo Vadis)
- Kevin McCarthy (Death of a Salesman)
- Peter Ustinov (Quo Vadis)
- Gig Young (Come Fill the Cup)
Best Performance by an Actress in a Supporting Role
- Kim Hunter (Endstation Sehnsucht)
- Joan Blondell (The Blue Veil)
- Mildred Dunnock (Death of a Salesman)
- Lee Grant (Polizeirevier 21)
- Thelma Ritter (SOS - Zwei Schwiegermütter)
Best Documentary Feature
Best Original Screenplay
- Alan Jay Lerner (Ein Amerikaner in Paris)
- Walter Newman, Lesser Samuels, Billy Wilder (Reporter des Satans)
- Philip Dunne (David und Bathsheba)
- Robert Pirosh (Go for Broke!)
- Clarence Greene, Russell Rouse (The Well)
Best Adapted Screenplay
- Harry Brown, Michael Wilson (Ein Platz an der Sonne)
- James Agee, John Huston (African Queen)
- Robert Wyler, Philip Yordan (Polizeirevier 21)
- Jacques Natanson, Max Ophüls (Der Reigen)
- Tennessee Williams (Endstation Sehnsucht)
Best Original Story
- James Bernard, Paul Dehn (Eine Stadt hält den Atem an)
- Bullfighter and the Lady
- Froschmänner
- Here Comes the Groom
- Teresa
Best Cinematography (Color)
- John Alton, Alfred Gilks (Ein Amerikaner in Paris)
- Leon Shamroy (David und Bathsheba)
- William V. Skall, Robert Surtees (Quo Vadis)
- Charles Rosher (Mississippi-Melodie)
- W. Howard Greene, John F. Seitz (Der Jüngste Tag)
Best Cinematography (Black-and-White)
- William C. Mellor (Ein Platz an der Sonne)
- Franz Planer (Death of a Salesman)
- Mark N. Hopkins (Froschmänner)
- Robert Burks (Der Fremde im Zug)
- Harry Stradling Sr. (Endstation Sehnsucht)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Franz Waxman (Ein Platz an der Sonne)
- Alfred Newman (David und Bathsheba)
- Alex North (Death of a Salesman)
- Miklós Rózsa (Quo Vadis)
- Alex North (Endstation Sehnsucht)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Hoagy Carmichael (Here Comes the Groom) - "In the Cool, Cool, Cool of the Evening"
- Tödliches Pflaster Sunset Strip - "A Kiss to Build a Dream on"
- Golden Girl - "Never"
- Königliche Hochzeit - "Too Late Now"
- Hübsch, jung und verliebt - "Wonder Why"
Best Scoring of a Musical Picture
- Saul Chaplin, Johnny Green (Ein Amerikaner in Paris)
- Oliver Wallace (Alice im Wunderland)
- Peter Herman Adler, Johnny Green (Der große Caruso)
- Alfred Newman (An der Riviera)
- Adolph Deutsch, Conrad Salinger (Mississippi-Melodie)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
- Der große Caruso
- Sieg über das Dunkel
- Im Sturm der Zeit
- Endstation Sehnsucht
- Drei Frauen erobern New York
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
Best Documentary Short Film
Honorary Award
1951 - The 23rd Academy Awards
Best Motion Picture of the Year
Alles über Eva
Best Motion Picture of the Year
- Alles über Eva
- Die ist nicht von gestern
- Vater der Braut
- König Salomons Diamanten
- Sunset Boulevard - Boulevard der Dämmerung
Best Achievement in Directing
- Joseph L. Mankiewicz (Alles über Eva)
- George Cukor (Die ist nicht von gestern)
- John Huston (Asphalt Dschungel)
- Carol Reed (Der dritte Mann)
- Billy Wilder (Sunset Boulevard - Boulevard der Dämmerung)
Best Performance by an Actor in a Leading Role
- José Ferrer (Cyrano de Bergerac)
- Louis Calhern (The Magnificent Yankee)
- William Holden (Sunset Boulevard - Boulevard der Dämmerung)
- James Stewart (Mein Freund Harvey)
- Spencer Tracy (Vater der Braut)
Best Performance by an Actress in a Leading Role
- Judy Holliday (Die ist nicht von gestern)
- Anne Baxter (Alles über Eva)
- Bette Davis (Alles über Eva)
- Eleanor Parker (Frauengefängnis)
- Gloria Swanson (Sunset Boulevard - Boulevard der Dämmerung)
Best Performance by an Actor in a Supporting Role
- George Sanders (Alles über Eva)
- Jeff Chandler (Der gebrochene Pfeil)
- Edmund Gwenn (Mister 880)
- Sam Jaffe (Asphalt Dschungel)
- Erich von Stroheim (Sunset Boulevard - Boulevard der Dämmerung)
Best Performance by an Actress in a Supporting Role
- Josephine Hull (Mein Freund Harvey)
- Hope Emerson (Frauengefängnis)
- Celeste Holm (Alles über Eva)
- Nancy Olson (Sunset Boulevard - Boulevard der Dämmerung)
- Thelma Ritter (Alles über Eva)
Best Documentary Feature
Best Original Screenplay
- Charles Brackett, D.M. Marshman Jr., Billy Wilder (Sunset Boulevard - Boulevard der Dämmerung)
- Ruth Gordon, Garson Kanin (Ehekrieg)
- Virginia Kellogg, Bernard C. Schoenfeld (Frauengefängnis)
- Carl Foreman (Die Männer)
- Joseph L. Mankiewicz, Lesser Samuels (Der Hass ist blind)
Best Adapted Screenplay
- Joseph L. Mankiewicz (Alles über Eva)
- John Huston, Ben Maddow (Asphalt Dschungel)
- Albert Mannheimer (Die ist nicht von gestern)
- Albert Maltz (Der gebrochene Pfeil)
- Frances Goodrich, Albert Hackett (Vater der Braut)
Best Original Story
- Edna Anhalt, Edward Anhalt (Unter Geheimbefehl)
- Bitterer Reis
- Der Scharfschütze
- Die Tote in den Dünen
- So ein Pechvogel
Best Cinematography (Color)
- Robert Surtees (König Salomons Diamanten)
- Charles Rosher (Duell in der Manege)
- Ernest Palmer (Der gebrochene Pfeil)
- Ernest Haller (Der Rebell)
- George Barnes (Samson und Delilah)
Best Cinematography (Black-and-White)
- Robert Krasker (Der dritte Mann)
- Milton R. Krasner (Alles über Eva)
- Harold Rosson (Asphalt Dschungel)
- Victor Milner (Die Farm der Besessenen)
- John F. Seitz (Sunset Boulevard - Boulevard der Dämmerung)
Best Achievement in Film Editing
- König Salomons Diamanten
- Alles über Eva
- Duell in der Manege
- Sunset Boulevard - Boulevard der Dämmerung
- Der dritte Mann
Best Achievement in Music Written for Motion Pictures (Original Score)
- Franz Waxman (Sunset Boulevard - Boulevard der Dämmerung)
- Alfred Newman (Alles über Eva)
- Max Steiner (Der Rebell)
- George Duning (No Sad Songs for Me)
- Victor Young (Samson und Delilah)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Ray Evans, Jay Livingston (Captain Carey, U.S.A.) - "Mona Lisa"
- The Toast of New Orleans - "Be My Love"
- Cinderella - "Bibbidi-Bobbidi-Boo"
- Rauchende Pistolen - "Mule Train"
- Varieté-Prinzessin - "Wilhelmina"
Best Scoring of a Musical Picture
- Adolph Deutsch, Roger Edens (Duell in der Manege)
- Paul J. Smith, Oliver Wallace (Cinderella)
- Lionel Newman (I'll Get By)
- André Previn (Drei kleine Worte)
- Ray Heindorf (The West Point Story)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
Best Documentary Short Film
Honorary Award
1950 - The 22nd Academy Awards
Best Motion Picture of the Year
Der Mann, der herrschen wollte
Best Performance by an Actress in a Supporting Role
Mercedes McCambridge
(Der Mann, der herrschen wollte)Best Motion Picture of the Year
Best Achievement in Directing
- Joseph L. Mankiewicz (Ein Brief an drei Frauen)
- Carol Reed (The Fallen Idol)
- Robert Rossen (Der Mann, der herrschen wollte)
- William A. Wellman (Kesselschlacht)
- William Wyler (Die Erbin)
Best Performance by an Actor in a Leading Role
- Broderick Crawford (Der Mann, der herrschen wollte)
- Kirk Douglas (Zwischen Frauen und Seilen)
- Gregory Peck (Der Kommandeur)
- Richard Todd (The Hasty Heart)
- John Wayne (Du warst unser Kamerad)
Best Performance by an Actress in a Leading Role
- Olivia de Havilland (Die Erbin)
- Jeanne Crain (Pinky)
- Susan Hayward (Angst vor der Schande)
- Deborah Kerr (Edward, mein Sohn)
- Loretta Young (Come to the Stable)
Best Performance by an Actor in a Supporting Role
- Dean Jagger (Der Kommandeur)
- John Ireland (Der Mann, der herrschen wollte)
- Arthur Kennedy (Zwischen Frauen und Seilen)
- Ralph Richardson (Die Erbin)
- James Whitmore (Kesselschlacht)
Best Performance by an Actress in a Supporting Role
- Mercedes McCambridge (Der Mann, der herrschen wollte)
- Ethel Barrymore (Pinky)
- Celeste Holm (Come to the Stable)
- Elsa Lanchester (Come to the Stable)
- Ethel Waters (Pinky)
Best Documentary Feature
Best Original Screenplay
- Robert Pirosh (Kesselschlacht)
- Sidney Buchman (Jolson Sings Again)
- Sergio Amidei, Federico Fellini, Alfred Hayes, Marcello Pagliero, Roberto Rossellini (Paisa)
- T.E.B. Clarke (Passport to Pimlico)
- Helen Levitt, Janice Loeb, Sidney Meyers (The Quiet One)
Best Adapted Screenplay
- Joseph L. Mankiewicz (Ein Brief an drei Frauen)
- Robert Rossen (Der Mann, der herrschen wollte)
- Cesare Zavattini (Fahrraddiebe)
- Carl Foreman (Zwischen Frauen und Seilen)
- Graham Greene (The Fallen Idol)
Best Original Story
- Douglas Morrow (The Stratton Story)
- Clare Boothe Luce (Come to the Stable)
- Valentine Davies, Shirley W. Smith (It Happens Every Spring)
- Harry Brown (Du warst unser Kamerad)
- Virginia Kellogg (Sprung in den Tod)
Best Cinematography (Color)
- Winton C. Hoch (Der Teufelshauptmann)
- Harry Stradling Sr. (Tänzer vom Broadway)
- William E. Snyder (Jolson Sings Again)
- Robert H. Planck, Charles Edgar Schoenbaum (Kleine tapfere Jo)
- Charles G. Clarke (Sand)
Best Cinematography (Black-and-White)
- Paul Vogel (Kesselschlacht)
- Franz Planer (Zwischen Frauen und Seilen)
- Joseph LaShelle (Come to the Stable)
- Leo Tover (Die Erbin)
- Leon Shamroy (In den Klauen des Borgia)
Best Achievement in Film Editing
- Zwischen Frauen und Seilen
- Der Mann, der herrschen wollte
- Kesselschlacht
- Du warst unser Kamerad
- Das unheimliche Fenster
Best Achievement in Music Written for Motion Pictures (Original Score)
- Aaron Copland (Die Erbin)
- Max Steiner (Beyond the Forest)
- Dimitri Tiomkin (Zwischen Frauen und Seilen)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Frank Loesser (Neptuns Tochter) - "Baby, It's Cold Outside"
- Judy erobert Hollywood - "It's a Great Feeling"
- So Dear to My Heart - "Lavender Blue"
- Angst vor der Schande - "My Foolish Heart"
- Come to the Stable - "Through a Long and Sleepless Night"
Best Scoring of a Musical Picture
- Roger Edens, Lennie Hayton (Heut' gehn wir bummeln)
- George Duning, Morris Stoloff (Jolson Sings Again)
- Ray Heindorf (Look for the Silver Lining)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
Best Documentary Short Film
Juvenile Award
Honorary Award
1949 - The 21st Academy Awards
Best Motion Picture of the Year
Hamlet
Best Motion Picture of the Year
Best Achievement in Directing
- John Huston (Der Schatz der Sierra Madre)
- Anatole Litvak (Die Schlangengrube)
- Jean Negulesco (Schweigende Lippen)
- Laurence Olivier (Hamlet)
- Fred Zinnemann (Suchende Herzen)
Best Performance by an Actor in a Leading Role
- Laurence Olivier (Hamlet)
- Lew Ayres (Schweigende Lippen)
- Montgomery Clift (Suchende Herzen)
- Dan Dailey (When My Baby Smiles at Me)
- Clifton Webb (Belvedere räumt auf)
Best Performance by an Actress in a Leading Role
- Jane Wyman (Schweigende Lippen)
- Ingrid Bergman (Johanna von Orleans)
- Olivia de Havilland (Die Schlangengrube)
- Irene Dunne (Geheimnis der Mutter)
- Barbara Stanwyck (Du lebst noch 105 Minuten)
Best Performance by an Actor in a Supporting Role
- Walter Huston (Der Schatz der Sierra Madre)
- Charles Bickford (Schweigende Lippen)
- José Ferrer (Johanna von Orleans)
- Oskar Homolka (Geheimnis der Mutter)
- Cecil Kellaway (The Luck of the Irish)
Best Performance by an Actress in a Supporting Role
- Claire Trevor (Gangster in Key Largo)
- Barbara Bel Geddes (Geheimnis der Mutter)
- Ellen Corby (Geheimnis der Mutter)
- Agnes Moorehead (Schweigende Lippen)
- Jean Simmons (Hamlet)
Best Documentary Feature
Best Original Screenplay
- Richard Schweizer, David Wechsler (Suchende Herzen)
- Frances H. Flaherty, Robert J. Flaherty (Louisiana-Legende)
- Malvin Wald (Stadt ohne Maske)
- Borden Chase (Red River)
- Emeric Pressburger (Die roten Schuhe)
Best Adapted Screenplay
- John Huston (Der Schatz der Sierra Madre)
- Charles Brackett, Richard L. Breen, Billy Wilder (Eine auswärtige Affäre)
- Irma von Cube, Allen Vincent (Schweigende Lippen)
- Richard Schweizer, David Wechsler (Suchende Herzen)
- Millen Brand, Frank Partos (Die Schlangengrube)
Best Cinematography (Color)
- Winton C. Hoch, William V. Skall, Joseph A. Valentine (Johanna von Orleans)
- Charles G. Clarke (Green Grass of Wyoming)
- William E. Snyder (The Loves of Carmen)
- Robert H. Planck (Die drei Musketiere)
Best Cinematography (Black-and-White)
- William H. Daniels (Stadt ohne Maske)
- Charles Lang (Eine auswärtige Affäre)
- Nicholas Musuraca (Geheimnis der Mutter)
- Ted D. McCord (Schweigende Lippen)
- Joseph H. August (Portrait of Jennie)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Brian Easdale (Die roten Schuhe)
- William Walton (Hamlet)
- Hugo Friedhofer (Johanna von Orleans)
- Max Steiner (Schweigende Lippen)
- Alfred Newman (Die Schlangengrube)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Ray Evans, Jay Livingston (Sein Engel mit den zwei Pistolen) - "Buttons and Bows"
- Casbah - Verbotene Gassen - "For Every Man There's a Woman"
- Zaubernächte in Rio - "It's Magic"
- Die Frau im Hermelin - "This Is the Moment"
- Wet Blanket Policy - "The Woody Woodpecker Song"
Best Scoring of a Musical Picture
- Roger Edens, Johnny Green (Osterspaziergang)
- Victor Young (Kaiserwalzer)
- Lennie Hayton (Der Pirat)
- Ray Heindorf (Zaubernächte in Rio)
- Alfred Newman (When My Baby Smiles at Me)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Costume Design
Best Costume Design (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
Best Animated Short Film
- Tom und Jerry - Tom und ich und Nibbelchen
- Mickey and the Seal
- Der preisgekrönte Mausefänger
- Robin Hoodlum
- Tea for Two Hundred
Best Documentary Short Film
Juvenile Award
Honorary Award
1948 - The 20th Academy Awards
Best Motion Picture of the Year
Tabu der Gerechten
Best Motion Picture of the Year
- Tabu der Gerechten
- Jede Frau braucht einen Engel
- Im Kreuzfeuer
- Geheimnisvolle Erbschaft
- Das Wunder von Manhattan
Best Achievement in Directing
- Elia Kazan (Tabu der Gerechten)
- George Cukor (Mord in Ekstase)
- Edward Dmytryk (Im Kreuzfeuer)
- Henry Koster (Jede Frau braucht einen Engel)
- David Lean (Geheimnisvolle Erbschaft)
Best Performance by an Actor in a Leading Role
- Ronald Colman (Mord in Ekstase)
- John Garfield (Jagd nach Millionen)
- Gregory Peck (Tabu der Gerechten)
- William Powell (Life with Father)
- Michael Redgrave (Mourning Becomes Electra)
Best Performance by an Actress in a Leading Role
- Loretta Young (Die Farmerstochter)
- Joan Crawford (Hemmungslose Liebe)
- Susan Hayward (Smash-Up: The Story of a Woman)
- Dorothy McGuire (Tabu der Gerechten)
- Rosalind Russell (Mourning Becomes Electra)
Best Performance by an Actor in a Supporting Role
- Edmund Gwenn (Das Wunder von Manhattan)
- Charles Bickford (Die Farmerstochter)
- Thomas Gomez (Reite auf dem rosa Pferd)
- Robert Ryan (Im Kreuzfeuer)
- Richard Widmark (Der Todeskuss)
Best Performance by an Actress in a Supporting Role
- Celeste Holm (Tabu der Gerechten)
- Ethel Barrymore (Der Fall Paradin)
- Gloria Grahame (Im Kreuzfeuer)
- Marjorie Main (The Egg and I)
- Anne Revere (Tabu der Gerechten)
Best Documentary Feature
Best Original Screenplay
- Sidney Sheldon (So einfach ist die Liebe nicht)
- Abraham Polonsky (Body and soul)
- Ruth Gordon, Garson Kanin (Mord in Ekstase)
- Charlie Chaplin (Monsieur Verdoux - Der Frauenmörder von Paris)
- Sergio Amidei, Adolfo Franci, Cesare Giulio Viola, Cesare Zavattini (Schuhputzer)
Best Adapted Screenplay
- Valentine Davies (Das Wunder von Manhattan)
- Georges Chaperot, René Wheeler (La Cage aux rossignols)
- Herbert Clyde Lewis, Frederick Stephani (It Happened on 5th Avenue)
- Eleazar Lipsky (Der Todeskuss)
- Frank Cavett, Dorothy Parker (Smash-Up: The Story of a Woman)
Best Original Story
- George Seaton (Das Wunder von Manhattan)
- Bumerang
- Im Kreuzfeuer
- Tabu der Gerechten
- Geheimnisvolle Erbschaft
Best Cinematography (Color)
- Jack Cardiff (Die schwarze Narzisse)
- J. Peverell Marley, William V. Skall (Life with Father)
- Harry Jackson (Es begann in Schneiders Opernhaus)
Best Cinematography (Black-and-White)
- Guy Green (Geheimnisvolle Erbschaft)
- Charles Lang (Ein Gespenst auf Freiersfüssen)
- George J. Folsey (Green Dolphin Street)
Best Achievement in Film Editing
- Jagd nach Millionen
- Jede Frau braucht einen Engel
- Tabu der Gerechten
- Green Dolphin Street
- Der Gehetzte
Best Achievement in Music Written for Motion Pictures (Original Score)
- Miklós Rózsa (Mord in Ekstase)
- Hugo Friedhofer (Jede Frau braucht einen Engel)
- Alfred Newman (Der Hauptmann von Kastilien)
- David Raksin (Forever Amber)
- Max Steiner (Life with Father)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Allie Wrubel (Onkel Remus’ Wunderland) - "Zip-A-Dee-Doo-Dah"
- Good News - "A Gal in Calico"
- Der Himmel voller Geigen - "You Do"
- Pauline, laß das Küssen sein - "Pass That Peace Pipe"
- Es begann in Schneiders Opernhaus - "I Wish I Didn't Love You So"
Best Scoring of a Musical Picture
- Alfred Newman (Es begann in Schneiders Opernhaus)
- Johnny Green (Mexikanische Nächte)
- Ray Heindorf, Max Steiner (My Wild Irish Rose)
- Robert Emmett Dolan (Road to Rio)
- Daniele Amfitheatrof, Paul J. Smith, Charles Wolcott (Onkel Remus’ Wunderland)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
- Climbing the Matterhorn
- Champagne for Two
- Fight of the Wild Stallions
- Give Us the Earth!
- A Voice Is Born
Best Animated Short Film
- Sylvester zieht den Kürzeren
- Chip an' Dale
- Tom und Jerry - Geiz macht klein und hässlich
- Pluto's Blue Note
- Tubby the Tuba
Best Documentary Short Film
Honorary Award
1947 - The 19th Academy Awards
Best Motion Picture of the Year
Die besten Jahre unseres Lebens
Best Motion Picture of the Year
- Die besten Jahre unseres Lebens
- Heinrich V.
- Ist das Leben nicht schön?
- Auf Messers Schneide
- Die Wildnis ruft
Best Achievement in Directing
- William Wyler (Die besten Jahre unseres Lebens)
- Clarence Brown (Die Wildnis ruft)
- Frank Capra (Ist das Leben nicht schön?)
- David Lean (Begegnung)
- Robert Siodmak (Rächer der Unterwelt)
Best Performance by an Actor in a Leading Role
- Fredric March (Die besten Jahre unseres Lebens)
- Laurence Olivier (Heinrich V.)
- Larry Parks (Der Jazzsänger)
- Gregory Peck (Die Wildnis ruft)
- James Stewart (Ist das Leben nicht schön?)
Best Performance by an Actress in a Leading Role
- Olivia de Havilland (Mutterherz)
- Celia Johnson (Begegnung)
- Jennifer Jones (Duell in der Sonne)
- Rosalind Russell (Schwester Kenny)
- Jane Wyman (Die Wildnis ruft)
Best Performance by an Actor in a Supporting Role
- Harold Russell (Die besten Jahre unseres Lebens)
- Charles Coburn (Das Vermächtnis)
- William Demarest (Der Jazzsänger)
- Claude Rains (Berüchtigt)
- Clifton Webb (Auf Messers Schneide)
Best Performance by an Actress in a Supporting Role
- Anne Baxter (Auf Messers Schneide)
- Ethel Barrymore (Die Wendeltreppe)
- Lillian Gish (Duell in der Sonne)
- Flora Robson (Spiel mit dem Schicksal)
- Gale Sondergaard (Anna und der König von Siam)
Best Original Screenplay
- Muriel Box, Sydney Box (The Seventh Veil)
- Raymond Chandler (Die blaue Dahlie)
- Jacques Prévert (Kinder des Paradieses)
- Ben Hecht (Berüchtigt)
- Melvin Frank, Norman Panama (Der Weg nach Utopia)
Best Adapted Screenplay
- Robert E. Sherwood (Die besten Jahre unseres Lebens)
- Sally Benson, Talbot Jennings (Anna und der König von Siam)
- Anthony Havelock-Allan, David Lean, Ronald Neame (Begegnung)
- Anthony Veiller (Rächer der Unterwelt)
- Sergio Amidei, Federico Fellini (Rom, offene Stadt)
Best Original Story
- Clemence Dane (Perfect Strangers)
- Der schwarze Spiegel
- Die seltsame Liebe der Martha Ivers
- Spur des Fremden
- Mutterherz
Best Cinematography (Color)
Best Cinematography (Black-and-White)
Best Achievement in Film Editing
- Die besten Jahre unseres Lebens
- Ist das Leben nicht schön?
- Der Jazzsänger
- Rächer der Unterwelt
- Die Wildnis ruft
Best Achievement in Music Written for Motion Pictures (Original Score)
- Hugo Friedhofer (Die besten Jahre unseres Lebens)
- Bernard Herrmann (Anna und der König von Siam)
- William Walton (Heinrich V.)
- Franz Waxman (Humoreske)
- Miklós Rózsa (Rächer der Unterwelt)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Harryette Warren (The Harvey Girls) - "On the Atchison, Topeka and Santa Fe"
- Centennial Summer - "All Through the Day"
- Dolly Sisters - "I Can't Begin to Tell You"
- Feuer am Horizont - "Ole Buttermilk Sky"
- Blue Skies - "You Keep Coming Back Like a Song"
Best Scoring of a Musical Picture
- Morris Stoloff (Der Jazzsänger)
- Robert Emmett Dolan (Blue Skies)
- Alfred Newman (Centennial Summer)
- Lennie Hayton (The Harvey Girls)
- Ray Heindorf, Max Steiner (Tag und Nacht denk' ich an dich)
Best Achievement in Production Design
Best Art Direction-Set Decoration (Black-and-White)
Best Achievement in Visual Effects
Best Sound Mixing
Best Short Subject (One-reel)
Best Short Subject (Two-reel)
- Boy and His Dog, A
- College Queen
- Hiss and Yell
- A Crime Does Not Pay Subject: The Luckiest Guy in the World
Best Animated Short Film
- Tom und Jerry - Tom gibt ein Konzert
- Musical Moments from Chopin
- John Henry and the Inky-Poo
- Squatter's Rights
- Hühnerauge, sei wachsam
Best Documentary Short Film
Juvenile Award
Honorary Award
1946 - The 18th Academy Awards
Best Motion Picture of the Year
Das verlorene Wochenende
Best Motion Picture of the Year
- Das verlorene Wochenende
- Urlaub in Hollywood
- Die Glocken von St. Marien
- Solange ein Herz schlägt
- Ich kämpfe um dich
Best Achievement in Directing
- Billy Wilder (Das verlorene Wochenende)
- Clarence Brown (Kleines Mädchen, großes Herz)
- Alfred Hitchcock (Ich kämpfe um dich)
- Leo McCarey (Die Glocken von St. Marien)
- Jean Renoir (The Southerner)
Best Performance by an Actor in a Leading Role
- Ray Milland (Das verlorene Wochenende)
- Bing Crosby (Die Glocken von St. Marien)
- Gene Kelly (Urlaub in Hollywood)
- Gregory Peck (Schlüssel zum Himmelreich)
- Cornel Wilde (Polonaise)
Best Performance by an Actress in a Leading Role
- Joan Crawford (Solange ein Herz schlägt)
- Ingrid Bergman (Die Glocken von St. Marien)
- Greer Garson (Die Entscheidung)
- Jennifer Jones (Love Letters)
- Gene Tierney (Leave Her to Heaven)
Best Performance by an Actor in a Supporting Role
- James Dunn (Ein Baum wächst in Brooklyn)
- Michael Chekhov (Ich kämpfe um dich)
- John Dall (Das grüne Korn)
- Robert Mitchum (Schlachtgewitter am Monte Cassino)
- J. Carrol Naish (A Medal for Benny)
Best Performance by an Actress in a Supporting Role
- Anne Revere (Kleines Mädchen, großes Herz)
- Ann Blyth (Solange ein Herz schlägt)
- Eve Arden (Solange ein Herz schlägt)
- Angela Lansbury (Das Bildnis des Dorian Gray)
- Joan Lorring (Das grüne Korn)
Best Documentary Feature
Best Original Screenplay
- Richard Schweizer (Marie-Louise)
- Philip Yordan (Jagd auf Dillinger)
- Myles Connolly (Music for Millions)
- Milton Holmes (Gauner und Gangster)
- Harry Kurnitz (What Next, Corporal Hargrove?)
Best Adapted Screenplay
- Charles Brackett, Billy Wilder (Das verlorene Wochenende)
- Ranald MacDougall (Solange ein Herz schlägt)
- Albert Maltz (Pride of the Marines)
- Leopold Atlas, Guy Endore, Philip Stevenson (Schlachtgewitter am Monte Cassino)
- Frank Davis, Tess Slesinger (Ein Baum wächst in Brooklyn)
Best Original Story
- Charles G. Booth (The House on 92nd Street)
- Oh, Susanne!
- A Medal for Benny
- Der Held von Burma
- Polonaise
Best Cinematography (Color)
- Leon Shamroy (Leave Her to Heaven)
- Charles P. Boyle, Robert H. Planck (Urlaub in Hollywood)
- Leonard Smith (Kleines Mädchen, großes Herz)
- Allen M. Davey, Tony Gaudio (Polonaise)
- George Barnes (Die Seeteufel von Cartagena)
Best Cinematography (Black-and-White)
- Harry Stradling Sr. (Das Bildnis des Dorian Gray)
- Arthur C. Miller (Schlüssel zum Himmelreich)
- John F. Seitz (Das verlorene Wochenende)
- Ernest Haller (Solange ein Herz schlägt)
- George Barnes (Ich kämpfe um dich)
Best Achievement in Film Editing
- Kleines Mädchen, großes Herz
- Die Glocken von St. Marien
- Das verlorene Wochenende
- Der Held von Burma
- Polonaise
Best Achievement in Music Written for Motion Pictures (Original Score)
- Miklós Rózsa (Ich kämpfe um dich)
- Robert Emmett Dolan (Die Glocken von St. Marien)
- Louis Forbes (Brewster's Millions)
- Werner Janssen (Unter schwarzer Flagge)
- Roy Webb (Mit den Augen der Liebe)
- R. Dale Butts, Morton Scott (San Francisco Lilly)
- Edward J. Kay (G.I. Honeymoon)
- Werner Janssen (Guest in the House)
- Daniele Amfitheatrof (Guest Wife)
- Alfred Newman (Schlüssel zum Himmelreich)
- Miklós Rózsa (Das verlorene Wochenende)
- Victor Young (Love Letters)
- Karl Hajos (The Man Who Walked Alone)
- Franz Waxman (Der Held von Burma)
- Alexander Tansman (Paris Underground)
- Miklós Rózsa, Morris Stoloff (Polonaise)
- Werner Janssen (The Southerner)
- Louis Applebaum, Ann Ronell (Schlachtgewitter am Monte Cassino)
- Hans J. Salter (Die Liebe unseres Lebens)
- Herbert Stothart (Die Entscheidung)
- Hugo Friedhofer, Arthur Lange (C M - Gefährliche Begegnung)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Richard Rodgers (Jahrmarkt der Liebe) - "It Might as Well Be Spring"
- Here Come the Waves - "Accentuate the Positive"
- Music Box Girls - "Anywhere"
- Die Glocken von St. Marien - "Aren't You Glad You're You"
- Why Girls Leave Home - "The Cat and the Canary"
- Earl Carroll Vanities - "Endlessly"
- Urlaub in Hollywood - "I Fall in Love Too Easily"
- Sing Your Way Home - "I'll Buy That Dream"
- Schlachtgewitter am Monte Cassino - "Linda"
- Love Letters - "Love Letters"
- Can't Help Singing - "More and More"
- Belle of the Yukon - "Sleighride in July"
- Wonder Man - "So in Love"
- Ein Mann der Tat - "Some Sunday Morning"
Best Scoring of a Musical Picture
- George Stoll (Urlaub in Hollywood)
- Arthur Lange (Belle of the Yukon)
- Jerome Kern, Hans J. Salter (Can't Help Singing)
- Morton Scott (Hitchhike to Happiness)
- Robert Emmett Dolan (Incendiary Blonde)
- Ray Heindorf, Max Steiner (Rhapsodie in Blau)
- Alfred Newman (Jahrmarkt der Liebe)
- Edward J. Kay (Sunbonnet Sue)
- Edward H. Plumb, Paul J. Smith, Charles Wolcott (Drei Caballeros)
- Marlin Skiles, Morris Stoloff (Music Box Girls)
- Walter Greene (Why Girls Leave Home)
- Louis Forbes, Ray Heindorf (Wonder Man)
Best Achievement in Production Design
- Der Pirat und die Dame
- Leave Her to Heaven
- Kleines Mädchen, großes Herz
- Ein Mann der Tat
- A Thousand and One Nights
Best Art Direction-Set Decoration (Black-and-White)
- Spionage in Fernost
- Experiment Perilous
- Schlüssel zum Himmelreich
- Love Letters
- Das Bildnis des Dorian Gray
Best Achievement in Visual Effects
- Wonder Man
- Die tollkühnen Abenteuer des Captain Eddie
- Ich kämpfe um dich
- Schnellboote vor Bataan
- A Thousand and One Nights
Best Sound Mixing
- Die Glocken von St. Marien
- San Francisco Lilly
- Die Dame im Zug
- Leave Her to Heaven
- Rhapsodie in Blau
- Polonaise
- The Southerner
- Schnellboote vor Bataan
- Drei Caballeros
- Three Is a Family
- Der Tod wohnt nebenan
- Wonder Man
Best Short Subject (One-reel)
- Stairway to Light
- Along the Rainbow Trail
- Screen Snapshots Series 25, No. 1: 25th Anniversary
- Story of a Dog
- White Rhapsody
- Your National Gallery
Best Short Subject (Two-reel)
Best Animated Short Film
- Tom und Jerry - Tom der Nachtwächter
- Donald's Crime
- Jasper and the Beanstalk
- Life with Feathers
- Mighty Mouse in Gypsy Life
- Poet & Peasant, The
- Rippling Romance
Best Documentary Short Film
Juvenile Award
Honorary Award
- Walter Wanger
- The House I Live In
- Republic Studio, Daniel J. Bloomberg and the Republic Studio Sound Department
1945 - The 17th Academy Awards
Best Motion Picture of the Year
Der Weg zum Glück
Best Motion Picture of the Year
Best Achievement in Directing
- Leo McCarey (Der Weg zum Glück)
- Alfred Hitchcock (Das Rettungsboot)
- Henry King (Wilson)
- Otto Preminger (Laura)
- Billy Wilder (Frau ohne Gewissen)
Best Performance by an Actor in a Leading Role
- Bing Crosby (Der Weg zum Glück)
- Charles Boyer (Das Haus der Lady Alquist)
- Barry Fitzgerald (Der Weg zum Glück)
- Cary Grant (None But the Lonely Heart)
- Alexander Knox (Wilson)
Best Performance by an Actress in a Leading Role
- Ingrid Bergman (Das Haus der Lady Alquist)
- Claudette Colbert (Since You Went Away)
- Bette Davis (Das Leben der Mrs. Skeffington)
- Greer Garson (Tagebuch einer Frau)
- Barbara Stanwyck (Frau ohne Gewissen)
Best Performance by an Actor in a Supporting Role
- Barry Fitzgerald (Der Weg zum Glück)
- Hume Cronyn (The Seventh Cross)
- Claude Rains (Das Leben der Mrs. Skeffington)
- Clifton Webb (Laura)
- Monty Woolley (Since You Went Away)
Best Performance by an Actress in a Supporting Role
- Ethel Barrymore (None But the Lonely Heart)
- Jennifer Jones (Since You Went Away)
- Angela Lansbury (Das Haus der Lady Alquist)
- Aline MacMahon (Dragon Seed)
- Agnes Moorehead (Tagebuch einer Frau)
Best Documentary Feature
Best Original Screenplay
- Lamar Trotti (Wilson)
- Preston Sturges (Heil dem siegreichen Helden)
- Preston Sturges (Sensation im Morgan's Creek)
- Richard Connell, Gladys Lehman (Two Girls and a Sailor)
- Jerome Cady (Wing and a Prayer: The Story of Carrier X)
Best Adapted Screenplay
- Frank Butler, Frank Cavett (Der Weg zum Glück)
- Raymond Chandler, Billy Wilder (Frau ohne Gewissen)
- John L. Balderston, John Van Druten, Walter Reisch (Das Haus der Lady Alquist)
- Jay Dratler, Samuel Hoffenstein, Elizabeth Reinhardt (Laura)
- Irving Brecher, Fred F. Finklehoffe (Heimweh nach St. Louis)
Best Original Story
Best Cinematography (Color)
- Leon Shamroy (Wilson)
- Allen M. Davey, Rudolph Maté (Es tanzt die Göttin)
- Edward Cronjager (Home in Indiana)
- Charles Rosher (Kismet)
- Ray Rennahan (Lady in the Dark)
- George J. Folsey (Heimweh nach St. Louis)
Best Cinematography (Black-and-White)
- Joseph LaShelle (Laura)
- John F. Seitz (Frau ohne Gewissen)
- Sidney Wagner (Dragon Seed)
- Joseph Ruttenberg (Das Haus der Lady Alquist)
- Lionel Lindon (Der Weg zum Glück)
- Glen MacWilliams (Das Rettungsboot)
- Stanley Cortez, Lee Garmes (Since You Went Away)
- Harold Rosson, Robert Surtees (Dreißig Sekunden über Tokio)
- Charles Lang (The Uninvited)
- George J. Folsey (The White Cliffs of Dover)
Best Achievement in Film Editing
Best Achievement in Music Written for Motion Pictures (Original Score)
- Max Steiner (Since You Went Away)
- Morris Stoloff, Ernst Toch (Address Unknown)
- Max Steiner (Die Abenteuer Mark Twains)
- Dimitri Tiomkin (The Bridge of San Luis Rey)
- Arthur Lange (Casanova Brown)
- Hans J. Salter (Christmas Holiday)
- Miklós Rózsa (Frau ohne Gewissen)
- Walter Scharf, Roy Webb (Alarm im Pazifik)
- Michel Michelet, Edward Paul (The Hairy Ape)
- Robert Stolz (Es geschah morgen)
- Freddie Rich (Jack London)
- Herbert Stothart (Kismet)
- Constantin Bakaleinikoff, Hanns Eisler (None But the Lonely Heart)
- David Rose (The Princess and the Pirate)
- Karl Hajos (Summer Storm)
- W. Franke Harling (Three Russian Girls)
- Edward Paul (Up in Mabel's Room)
- Michel Michelet (Voice in the Wind)
- Alfred Newman (Wilson)
- Miklós Rózsa (Eine Frau für den Marshal)
Best Achievement in Music Written for Motion Pictures (Original Song)
- Jimmy Van Heusen (Der Weg zum Glück) - "Swinging on a Star"
- Heimweh nach St. Louis - "The Trolley Song"
- Follow the Boys - "I Couldn't Sleep a Wink Last Night"
- Follow the Boys - "I'll Walk Alone"
- Sweet and Low-Down - "I'm Making Believe"
- Es tanzt die Göttin - "Long Ago and Far Away"
- Up in Arms - "Now I Know"
- Minstrel Man - "Remember Me to Carolina"
- Brazil - "Rio de Janeiro"
- Lady, Let's Dance - "Silver Shadows and Golden Dreams"
- Hollywood-Kantine - "Sweet Dreams Sweetheart"
- Song of the Open Road - "Too Much in Love"
Best Scoring of a Musical Picture
- Carmen Dragon, Morris Stoloff (Es tanzt die Göttin)
- Walter Scharf (Brazil)
- Constantin Bakaleinikoff (Higher and Higher)
- Ray Heindorf (Hollywood-Kantine)
- Alfred Newman (Irish Eyes Are Smiling)
- Werner R. Heymann, Kurt Weill (Knickerbocker Holiday)
- Robert Emmett Dolan (Lady in the Dark)
- Edward J. Kay (Lady, Let's Dance)
- George Stoll (Heimweh nach St. Louis)
- Hans J. Salter (The Merry Monahans)
- Leo Erdody, Ferde Grofé Sr. (Minstrel Man)
- Mahlon Merrick (Sensations of 1945)
- Charles Previn (Song of the Open Road)
- Louis Forbes, Ray Heindorf (Up in Arms)
Best Achievement in Production Design
- Wilson
- The Climax
- Es tanzt die Göttin
- The Desert Song
- Kismet
- Lady in the Dark
- The Princess and the Pirate
Best Art Direction-Set Decoration (Black-and-White)
- Das Haus der Lady Alquist
- Address Unknown
- Die Abenteuer Mark Twains
- Casanova Brown
- Laura
- No Time for Love
- Since You Went Away
- Step Lively
Best Achievement in Visual Effects
- Dreißig Sekunden über Tokio
- Die Abenteuer Mark Twains
- Days of Glory
- Secret Command
- Since You Went Away
- The Story of Dr. Wassell
- Wilson
Best Sound Mixing
- Wilson
- Brazil
- Casanova Brown
- Es tanzt die Göttin
- Frau ohne Gewissen
- His Butler's Sister
- Hollywood-Kantine
- Es geschah morgen
- Kismet
- Music in Manhattan
- Voice in the Wind
Best Short Subject (One-reel)
- Who's Who in Animal Land
- Blue-Grass Gentlemen
- Jammin' the Blues
- Movie Pests
- 50th Anniversary of Motion Pictures
Best Short Subject (Two-reel)
Best Animated Short Film
- Tom und Jerry - Tom bildet sich
- And to Think I Saw It on Mulberry Street
- Dog, Cat, and Canary
- Fish Fry
- How to Play Football
- My Boy Johnny
- Swooner Crooner