Lima

Wonderful cinematography, an excellent Hopkins, a charismatic Pitt and a not very groundbreaking story, plus a clichéd "last minute" ending. It's a nice watch, but without any added value and I have no reason to watch it again. I'm sure Pitt's fans are of a different opinion, though, because the long mane and beard really suit him.

Fincher is depressive again, in the way he only knows how. The murders are disgusting, especially the first one with the fat man is not very nice to see. The cops don't seem to know what a light switch is, so they keep shining their flashlights to make the most of the gloomy twilight. The perpetual rain doesn't help the mood, either, Scott knew that in Blade Runner. Depression alternates with depression and the interesting, gloomy screenplay plays into Fincher's hands, he is a master depression, we all know that. Add to this an irresistibly loathsome villain played by Spacey and a truly unusual ending for Hollywood and we get a clear five-star rating.

Hopkins is excellent, Pitt's is stiff, he makes Death look more like a clown. Overall, it's not a bad film, but the sentimentality at the end is too much.

One of the most successful films of the 1970s and I wonder why. It is a pretty average thriller, which will fully satisfy perhaps only fans of jogging and overcomplicated stories. However, for those who are afraid of going to the dentist, this is a must :)

No, no. Jeunet should not have made this, his poetics don't fit the Alien franchise. While the previous parts aroused the right kind of horror and despair, this one is often rather amusing. And the alien baby at the end is a mockery of the entire franchise.

A very funny action comedy in places. There could have been more action moments (like the thrilling opening scene), but you never get bored. Some of the gags are really good and some are downright deadly (for instance, the successful punchline with the diligent video store customer) Of the actors, Lou Diamond Phillips is brilliant, Wahlberg is surprisingly bland.

Properly as wacky as you’d expect from Burton, with flawless sets and make-up effects, and a surprisingly bland Wahlberg. Overall, I would have liked it, but the incredibly idiotic final half hour, including a very weird ending, put a damper on everything. According to the reviews, not many people understood it, and I appreciate the ending in the older classic version all the more.

Stone is such a skilled filmmaker that he might even be able to give you the idea that Kennedy was a KGB agent and was shot by Martians. If it was filmed as brilliantly as JFK, you'd eat it up hook, line and sinker. I'm exaggerating, of course, but JFK is definitely formally perfect and very controversial in content. We will have to wait a few more years to know what really happened to Kennedy, when the CIA declassifies its documents and we can see the events surrounding the assassination in a broader context. Until then, we can only speculate and trust, say, Stone :).

Weird film, that's the first thing that comes to mind when I think of U-Turn. Emotionally it’s a very cold film that just fizzles through your head. I’m not saying I was bored, but it is weak for Stone standards. Among those worth mentioning are the chubby, charmingly dirty Bob Thorthon (unrecognizable!) and the then-unknown Jeniffer with her sexy proportions.

A nice side piece by Levinson, put together in two weeks, and it's not even noticeable. It's great to watch and the theme of the film becomes more relevant in this time of the Iraq war. Albania or Iraq, it often works out the same.