Der Pianist

Polanskis triumphale Rückkehr ins heimische Kino nach 40 Jahren. Das ist der Pianist. Eine fesselnde Geschichte aus der Autobiografie von Wladyslaw Szpilman. Adrien Brody in der Hauptrolle hat sich wirklich in Szpilman verwandelt und seine Figur als einen Menschen aus Fleisch und Blut dargestellt, der alle Grausamkeiten des Krieges durchleben muss. Aber auch alles andere bleibt nicht hinter Brodys Leistung zurück, das Produktionsdesign ist sehr realistisch, die anderen Schauspieler fügen sich ebenfalls sehr gut in die Gesamtcollage der Bilder der Vergangenheit ein und es gibt nichts, was ein so einzigartiges Porträt eines gebrochenen Mannes, der durch den Schmerz und die Ungerechtigkeit des Krieges geboren wurde, trüben könnte. (05.01.2012)

Another film that shows us, unaware viewers, that Jews had it very hard during WWII… Downplaying this topic is the last thing I want to do, but I really don’t need to see the hundredth film about the one and the same thing. The shallow parade of suffering by secondary characters, who show up, die or cry, only to be completely forgotten later by the script, can’t arouse any emotions in me. What’s a lot more impressive, though, is the almost post-apocalyptic survival storyline later in the film (if the entire film had that sharpness and atmosphere, it would be great!), but the events that follow it are very hard to believe. It’s very clear to me why The Pianist has received mostly positive responses (an untouchable premise and emotional blackmail can do a lot), but other than the fantastic performances, I don’t see anything I haven’t already seen elsewhere, and better… (19.02.2009)

If Polanski hadn't indulged in almost autobiographical self-indulgence, it could have been a great film. But instead of focusing on the very strong story of the main character, the director inserted his own emotions and memories into his film, which don't have such power, although there was a lot of potential. Brody is scoring in astronomical numbers, but even that is not enough this time. (07.05.2006)

It's easy to recognize on the Pianist that the film was directed by someone who personally experienced the horrors of war and the Holocaust. It is an exceptionally powerful and authentic testimony of the fate of Jews during World War II. Unlike Spielberg's celebrated Schindler's List, it is not calculated and polished, which is reflected in slightly lower ratings. Unlike Spielberg, Polanski chooses the form of a chamber drama of a single man, however, it is an exceptional, touching, and excellently acted film. Overall impression: 100%. (14.06.2006)

I don't want to be too pathetic, but more films like this! So that people won’t forget the horrors that were committed, the horrors that the human race is capable of committing against itself, so that something like that doesn't happen again. And Adrien Brody, he blew me away! I completely lived his role with him, he was absolutely riveting and I'm so glad he got the Oscar. Just like Polanski, whose family was murdered by the Nazis and he knew very well what he was talking about – something clearly evident in this beautiful, haunting work. (01.06.2003)