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Leben, Lieben und Leiden in der New Yorker Bohème der frühen 50er Jahre. Im Mittelpunkt steht der Schauspielschüler Larry, der vor seiner jüdischen Übermutter aus Brooklyn nach Greenwich Village geflohen ist. (Verleiher-Text)

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Englisch It's strange - one would say that a film that presents a director's autobiographical journey into his youth and early career will be among his priorities and he will approach it with maximum enthusiasm. However, if I were to find a title in Mazursky's filmography that I would revisit, it would be Moscow on the Hudson, not this one. The most damaging aspect of it is probably the mediocre cast with an uncharismatic actor in the lead role. Worth mentioning is perhaps Walken and Goldblum in very minor supporting roles, but everything else is interchangeable, and honestly, to me, the performances or characters often come across as annoying rather than charming and humorous in any way. The memorable scenes are minimal. I can't help it, but for me, Mazursky is more interesting as an actor than as the person behind the camera. Overall impression: 45%. ()

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