Inhalte(1)
Over forty years after the release of The Exorcist, director William Friedkin wonders how close his film came to reality. After meeting with Father Gabriele Amorth, known as the “Dean of Exorcists,” Friedkin receives permission to attend and film Father Amorth’s ninth exorcism on an Italian woman who has been experiencing troubling fits and behavioral changes that psychiatry could not fix. (The Orchard)
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