Ehemänner und Ehefrauen

Woody Allen als Filmemacher-Pathologe. Ist die Beziehung tot? Komm, wir sezieren sie ein bisschen und vielleicht erfahren wir, was sie umgebracht hat. Die aufdringliche Handkamera und die "dokumentarischen“ Aufnahmen von der Therapie verstärken die großartigen Schauspielleistungen (die ausgezeichnete Sydney Pollack)… Der Film ist nicht besonders angenehm, aber sehr eindrucksvoll. (01.09.2019)

My fifteenth film in order, which I have seen from Allen, the tenth with the highest rating. And yet the Master can still surprise me, that I cannot stop being amazed. With so much experience with his clumsy foolishness in relationships, I should have him figured out completely, but I still can't resist. Despite the accurately misleading title of the film, I didn't expect it to present a study of marital relationships in the truest sense of the word, strongly biting, with enough objectivity, but without overly cold detachment - and that it would express ideas that are easier to look at than to talk about after the final credits. Sometimes, it also adds a bit of indispensable humor, this time with a strongly bitter taste (mostly received by the simpler Sam in his horoscopic quotes). And as if that wasn't enough, it manages to create a warm atmosphere for the viewer, especially during heartfelt conversations with the talented student (beautiful in a down-to-earth way, Juliette Lewis). Another film where I say it belongs to the director's absolute peak. And by no means the last. New Year's Eve screening 2006 (31.12.2006)

Woody Allen is a sharp observer of human relationships, and dissecting partner relationships is one of his favorite film motifs. Spouses can be considered a kind of textbook of married life, or rather, partnership. We find herein all the basic types of marital problems, crises, and possible solutions. This film is one of Woody Allen's commercially most successful works, because at the same time, his longstanding relationship with actress Mia Farrow fell apart, and it did so quite wildly, with the malicious assistance of the tabloid media. The audience and critics tended to perceive this film as Woody Allen's family reality. The film is traditionally carefully cast and brilliantly acted, but compared to Allen's early works, I find it less entertaining. It is really more of an excellently filmed manual than a film that would emotionally affect me, like for example Hannah and Her Sisters. Mia Farrow plays an interesting role here as a seemingly fragile submissive woman, but she can subtly manipulate her surroundings and comes off as the least sympathetic character among the group of six unhappy people that Allen looks down on. Overall impression: 65%. (02.06.2011)