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Ende der 1950er Jahre herrscht Aufbruchsstimmung in Deutschland. Was gestern war, ist vergessen. Der Widerstand ist daher groß, als Staatsanwalt Johann Radmann sich anschickt, Nazi-Gräuel aufzudecken. Ein KZ-Überlebender erkennt in einem Lehrer einen ehemaligen Auschwitz-Wärter wieder. Diesen vor Gericht zu bringen, entpuppt sich als Mammutaufgabe. Radmann stößt auf eine dichte Mauer des Schweigens. Dahinter aber brodelt es und Verbrechen ungeahnten Ausmaßes zeichnen sich ab, die bald auch privat Spuren bei dem jungen Anwalt hinterlassen. (ORF)
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I am very surprised. Little did I know that the Germans decided to clean their rug of shame so many years after the war. And on top of that everybody threw pitchforks at them and acted as if there were no wars and Germany didn’t play a role in any of them. For me personally, this was a huge shock and I am very surprised that anybody actually tried to film this. And that must be appreciated and praised several times. I actually don’t have a problem with the actor Alexander Fehling, who was in the main role of the investigator, but rather with the ending itself, which dealt with everything at once and very quickly. A bit too quickly, if you ask me. However, as for the first film of the Německá filmová pavlač festival that we saw with my friend Enšpígl, we must say that it was a really strong German experience which proves the level German cinematography is at today!
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