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After the banning of their original 1977 BBC TV version (Scum), director Alan Clarke and writer Roy Minton set out to remake their drama for the big screen to ensure that their vision got the audience it deserved. The resulting film was an even more vitriolic portrait of a corrupt and violent institution which stunned cinema audiences and caused outrage. Uncompromising in its depiction of everyday violence, retribution, suicide and sexual assault, Scum remains a cornerstone of the British realist cinema movement, and a savage and still shocking indictment of institutionalised violence and abuse. (Powerhouse Films)

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Englisch Of all the pictures about the malfunctioning of a penal system with an approach of “the stronger dog gets to fuck", this is the strongest in the genre dog park. And more disturbing (and therefore more powerful) is that it is about young punks who need a firm hand, uncompromising routine and discipline, but not at the price of bullying, humiliation, rape and other similar cute things. The despair of this vicious circle of “rebellious brats versus jailers with a chip on their shoulder" (the supreme scene from that point of view is Archer’s friendly chat with one of the screws), where the penal system becomes a parody of itself to such an extent that it breeds and teaches what it was created to combat, and perhaps this has never been captured on film so realistically, depressingly, chillingly while not moralizing. ()

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