Frankreich / Iran,
2002, 94 min
Inhalte(1)
On the first sight, Ten represents an extremely minimalistic form of narrative: all you can see in the film are ten interviews taken with a fixed camera. This radical limitation is not an end in itself, though - it serves the director as an intensive survey of the relationship between reality and fiction ... and, surprisingly, also of the relationship between male and female roles in a patriarchal society. (Summer Film School)
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