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Sonny Weaver Jr. ist nicht zu beneiden: Der Manager der erfolglosen Cleveland Browns kämpft Jahr für Jahr nicht nur um die Daseinsberechtigung seines Teams, sondern auch mehr und mehr um seine eigene Existenz. Der Eigentümer des Teams setzt ihm daher ein Ultimatum: Wenn die nächste Saison nicht erfolgreich abgeschlossen wird, ist er seinen Job los. Der Draft Day ist der Tag, an dem die Football-Teams die meisten Spieler für die neue Saison erwerben, und an diesem fällt auch die Entscheidung über Sonnys persönliche und professionelle Zukunft ... (Concorde Home Entertainment)

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Kaka 

alle Kritiken

Englisch A film that stems from the backstage of traditions and high sports politics, but it lacks the rawness and the brutal matches of Any Given Sunday, or the poetry and wide scope of Moneyball. Paradoxically, however, Draft Day is more enjoyable than the latter film thanks to Ivan Reitman’s brisk direction by, the great performances by the actors, and the superb performances of Kevin Costner, Jennifer Garner, and Frank Langella. Those lively, sharp dialogues from the perfect script, which reminded me at times the work of Christopher Nolan, make everything feel as it should be. ()

J*A*S*M 

alle Kritiken

Englisch American football is all Greek to me (like almost every sport, really) and as an uninitiated viewer, this film utterly failed to explain what the rules of the game are exactly (meaning the draft), what’s at stake, what would success mean, etc. And it also feels at least a bit weird that the end presents the performance of Costner’s character as the victory of a good tactician who kept a cool head, when, in reality, he basically had a stroke of luck and throughout the film everything was falling apart for him. The performances and the craftsmanship are alright, but, due to the reasons enumerated above, I wasn’t able to get into the film, not even a bit. ()

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kaylin 

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Englisch Even though American football absolutely doesn't interest me and I may not even know a single team, this is a good drama that caught my attention, mainly thanks to Kevin Costner's excellent performance. Ivan Reitman uses interesting tools, especially two images in one, but this stands on the actors who immersed themselves in their roles and do it well. It beautifully shows what kind of business it is and how easily it can destroy lives. ()

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