Regie:
Rob ReinerKamera:
Reed MoranoMusik:
Marc ShaimanBesetzung:
Morgan Freeman, Virginia Madsen, Kenan Thompson, Emma Fuhrmann, Fred Willard, Ash Christian, Madeline Carroll, Nicolette Pierini, Jessica Hecht (mehr)Streaming (4)
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Der bekannte, an den Rollstuhl gebundene Schriftsteller Monte Wildhorn (Morgan Freeman) zieht in eine ländliche Stadt, um sich um das Haus und den Hund eines Bekannten zu kümmern. Insgeheim erhofft sich sein Freund von diesem Tapetenwechsel, dass Monte endlich wieder anfangen könnte, zu schreiben. Doch dieser hat keine Lust mehr darauf, seine Gedanken zu Papier zu bringen, sondern kämpft sich stattdessen an den Boden einer Whiskey-Flasche nach der anderen. Doch dann freundet er sich mit der alleinerziehenden Mutter Mrs. O'Neil (Virginia Madsen) und ihren drei Töchtern an, die ihm unbewusst dabei helfen, seine Inspiration wiederzufinden. (Verleiher-Text)
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Morgan Freeman is a grumpy old writer who moves to the country where he meets a divorcing mother and her three daughters. The meeting, of course, affects everyone. He gets back his zest for life, he makes friends, life wisdom is delivered. It’s exactly what you can expect, a by-the-numbers feelgood crap, friendly retard included. Everyone has the right to choose a weak moment. Whereas I liked Reiner’s Flipped, this one didn’t make it for me, at all. Without Freeman’s natural charisma, it would have been unbearable.
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A film whose main character was really close to my heart. It did have one gaping logic hole, though. I don't believe it is possible for a person with only one functioning limb to take care of himself without help, let alone get up from the bed into a wheelchair, and get dressed in less than two minutes. The theme, writing, direction and cast were all perfect, and I was happy with how it was all handled. The film had no action or suspense, the pace was slow (but not lazy) and it made me feel calm and relaxed, without a cheap appeal to the emotions.
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Photo © Magnolia Pictures
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