Inhalte(1)

Im Sommer 1969 kehrt Ward Jansen zurück nach Hause. Der gefeierte Reporter will in dem verschwitzten, unauffälligen Kaff in Floridas Sümpfen beweisen, dass der verurteilte Mörder Hillary Van Wetter unschuldig ist und nichts mit der kaltblütigen Ermordung eines Sheriffs zu tun hatte. Seine Verlobte behauptet, sie habe entsprechende Beweise. Doch Charlotte Bless erweist sich als wenig vertrauenswürdige Sexbombe mit einer Vorliebe für schwere Jungs. Ihrem aufreizenden Auftreten kann man sich nur schwer entziehen, und auch Wards kleiner Bruder Jack verfällt ihr zusehends. Als Ward von Unbekannten attackiert und schwer verletzt wird, wird eine Kette folgenschwerer Ereignisse ausgelöst ... (Verleiher-Text)

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Kritiken (5)

J*A*S*M 

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Englisch Mixed emotions. Half the characters are so over the top that they often straddle the border between gratuitous exhibitionism and parody, plus a weird genre mix of drama, romance and thriller, which in no respect worked on me as it should and could have. By the time Cusack grabs the axe in the end, it’s too late. Technically, though, made with panache. ()

Malarkey 

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Englisch I haven’t seen a weirder movie in a long time. But I also haven’t seen such a retro movie in a long time. And when you combine this, it creates this weird half-breed of a movie that I just didn’t understand. There’s a scene where Kidman almost climaxes and Cusack actually does climax. Then there’s a scene where Efron gets his ass kicked by a jellyfish and Nicole Kidman therefore pisses on his wounds. There’s also a scene where Matt gets so beaten up by some gays that he never really gets over it. But it was on purpose – he’s gay. All of that is wrapped up in a strange future retro style that indulges in an even weirder atmosphere. However, despite the strange story, the atmosphere keeps on building up throughout the movie and thanks to the ending, it deserves the final three stars. By the way, the ending is really a job well done. I wouldn’t hesitate to give this movie one star otherwise. ()

gudaulin 

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Englisch The success of a film or series largely depends on the ability of its creators to evoke a sense of identification with their heroes and their actions. Even seemingly highly controversial characters are molded according to the same rules. Today's screenwriter has no problem giving even a serial killer cool qualities, humanizing him with humor, and since he is assigned to kill other much less agreeable villains and on the other hand helps the weaker, the viewer has no problem liking him. Such an approach fits perfectly with the story of Walter White from Breaking Bad. His psychological transformation from an exemplary citizen, caring father, and husband into a dangerous manipulator and cynical criminal was not understood by everyone. The Paperboy evokes negative reactions from many viewers after watching and receives hesitant comments from movie fans - more critical than one would expect from a film of these qualities. It is certainly not an exceptional film, even within its category, but it is an above-average genre film. Its most valuable aspect is precisely what repels so many viewers - the violation of genre conventions, unpleasant characters that provoke you, and whose actions anger you. The film does not strive for likability in any way and I appreciate that. This is also related to its ability to surprise. Daniels' thriller is not made according to a template and I consider that a significant plus. Overall impression: 75%. ()

NinadeL 

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Deutsch Diese abartigen Südstaatenstreifen haben es mir besonders angetan. Ich habe zwar nicht geglaubt, dass Nicole es nicht übertrieben hat, aber wenn die verrückte Ästhetik des amerikanischen Südens in den späten 60er Jahren etwas hergibt, dann zumindest mit einer richtig glaubwürdigen Heldin. Sie hat noch nie in ihrem Leben so viel Plastikmist und nicht atmungsaktiven Stoff getragen, und das gesamte Ensemble hat noch nie so sehr geschwitzt wie hier. Abartig, krank, pervers, lustig und sehr gut. ()

kaylin 

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Englisch The first plan was to choose the right actors. Zac Efron appeals to younger ladies, Matthew McConaughey to older ones, although it can be the other way around. Nicole Kidman is pleasing to the eye in this film and she is wild. And alongside them, the somewhat odd servant Macy Gray joins in; she is absolutely great in the role of the "black slave". And of course, a repulsive villain cannot be absent, one that you won't like for even a moment, played by a slightly different John Cusack. Each actor here is a perfect calculation at first sight. The handsome guy is given the lead role, although he can't act that well, and the handsome guy who has already shown us that he can act is pushed into the background. Unfortunately, the role that Matthew McConaughey accepted is somewhat similar to the one he played in the film "Killer Joe". He's not such a dimwit, but the way he speaks, his diction, and his behavior at times, well, it's quite similar. More: http://www.filmovy-denik.cz/2013/02/reporter-2012-35.html ()