American Pie - Das Klassentreffen

Für mich ist er vergleichbar mit dem ersten und dritten Teil, also eine durchschnittliche amerikanische Komödie, in der die Macher Fäkalhumor recht gut vermieden haben, obwohl sie ihn nicht überall vermeiden konnten (aber nur ein bisschen). Die besten Charaktere waren natürlich Stifler und Mr. Levenstein, die praktisch in jeder Folge auftraten. Dank einiger "dramatischer" Zeilen wirkte es auf mich manchmal nostalgisch und ernst. Kurzum, ein Film, dem ich einen zusätzlichen Stern gegeben hätte, wenn ich wenigstens gut gelacht hätte, wenn er eine Komödie sein sollte. (10.07.2012)

Die Anfangsszene verdient fünf Sterne. Der Rest des Films ist nur eine nächste Variante von einem Genre-Techtelmechtel mit bewähren und immer gut funktionierenden Gesichtern. (26.06.2012)

A very easygoing movie. The nostalgia didn’t work so much on me (naturally, I saw the original trilogy for the first time less than a week ago :-D), but as a comedy, it’s excellent. Stifler is still the same idiot, Jim still ends up in embarrassing situations, Jim’s dad speaks about things you shouldn’t speak about and Stiffler’s mum… well, you’ll see. Reunion has a few serious and sad moments here and there – the protagonists are no longer teenagers, after all – but they are soon followed by bursts of laughter. The most pleasant film of the year so far, it will make you forget for a moment the bad mood prevailing in the Czech Republic right now. We need something like this twice a week. (14.04.2012)

Jim(’s dad) and Stifler get into a whirlwind of problems and escapades that won’t leave any member dry. The others are just there just to make up the nostalgic numbers. It’s pretty witty and it has just the right amount of warm nostalgia (it basically rides the same wave as Scream 4). Too bad that they didn’t get the length right, because it’s a good twenty minutes longer than it should be. (05.04.2012)

I feel that there there are already too many parts. They all try to be similarly funny and everything will work out, just like our main heroes who, on the brink of sentimentality, remember things were back in their younger years. From a dramaturgical point of view, it's not bad, many scenes are well-tuned (thanks to the director’s and especially the actors' experience in the genre), unfortunately, it doesn't avoid the classic clichés of sequels (rekindling after years, etc.). So as a short digression, it’s alright, but as a full-fledged sequel, it's tired and devoid of ideas. I would call it a "hollowed out" theme. (27.02.2013)