Kritiken (1)
The film is situated in three dimensions - film, painting, and sound - without having any soundtrack. Frampton "filmed" the final (waste) parts of used photographic material, thus creating both the dynamics of colors and shapes worthy of film and a "created" painting (which actually created itself by chance) worthy of American abstract expressionism – it is as if Jackson Pollock was filming a close-up of his painting. He also composed them into a structure according to a clear and strict rhythm - Frampton played with the visual material not only in terms of its colors and arrangement but also with its temporal organization, creating a rhythm almost like music.
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