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Herbert StothartBesetzung:
Charles Laughton, Clark Gable, Franchot Tone, Herbert Mundin, Eddie Quillan, Dudley Digges, Donald Crisp, Henry Stephenson, Spring Byington, Movita (mehr)Inhalte(1)
Das englische Kriegsschiff „Bounty“ läuft 1787 unter Kapitän Bligh von Portsmouth nach Tahiti aus, um von dort eine Ladung Brotbäume nach Westindien zu transportieren. Bald kommt es zu Unruhen in der Mannschaft. Die Besatzung hasst Bligh, der zwar ein hervorragender Seemann, aber auch ein Menschenschinder ist. Als Bligh auf der Rückfahrt von Tahiti einige vermeintliche Deserteure in Ketten legen und beinahe verhungern lässt, bricht eine Meuterei aus, die Christian anführt. Der grausame Kapitän wird mit einigen Getreuen auf hoher See in einem Boot ausgesetzt. Wie durch ein Wunder erreicht Bligh den nächsten Hafen, von wo aus er sofort die Verfolgung der Meuterer aufnimmt. (3sat)
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The film has a quite interesting pace and there are scenes that are almost unnecessary because they do not have much significance for the plot, but it doesn't matter that much, just like it doesn't matter that the film is minimally action-packed. It shows how people can stand up to a bastard if they have the strength, and it is amazingly evident how the system can suppress everything. Now it's up to you to decide what is better - to obey the rules at any cost and become a slave, or to stand up to the system and let it grind you down. The film expresses it exactly as needed.
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In view of when this was made, the black-and-white viewpoint is no surprise and so you have to accept right at the start that Bligh is written like the embodiment of a sea-salt Antichrist. So what if the reality is completely different? Luckily Laughton doesn’t demonize Bligh, no grimaces, no rolling eyes, no fits of rage... he sticks purely to voice, diction and a penetrating stare. It’s a shame that he doesn’t have a decent opponent in Gable, so it proved impossible to create the right atmosphere of tension between these characters, paralyzing the entire crew. If they had managed to achieve an atmosphere at least half as good as in Hornblower: Mutiny, there wouldn’t be anything to complain about, because everything would have been as it should. The fate of the Bounty and its crew is a powerful story in itself even in this form, which has very little to do with reality. Many of the scenes were shot on real floating beauties, so there is much to admire and some images would be great framed, a prime example being the Bounty lost in the fog.
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