Regie:
Roger DonaldsonDrehbuch:
David SelfKamera:
Andrzej BartkowiakMusik:
Trevor JonesBesetzung:
Kevin Costner, Bruce Greenwood, Steven Culp, Dylan Baker, Jon Foster, Kevin Conway, Caitlin Wachs, Stephanie Romanov, Dakin Matthews, Olek Krupa (mehr)Streaming (1)
Inhalte(1)
Im Oktober 1962 werden auf Kuba sowjetische Mittelstreckenraketen mit Nuklearsprengköpfen entdeckt: ein klarer Fall von kriegerischer Bedrohung der USA. Präsident John F. Kennedy sieht sich gezwungen zu handeln, will es jedoch nicht zu einer militärischen Invasion auf Kuba kommen lassen - die Gefahr eines Atomkriegs wäre zu hoch. Um Zeit zu gewinnen, entschließen sich Kennedy und seine loyalen Berater für eine als Quarantäne getarnte Blockade der gegnerischen Flotte. Doch der um Diplomatie bemühte Präsident spielt gegen die Zeit - und gegen die Kriegstreiber auf beiden Seiten. (ARD)
(mehr)Kritiken (2)
I can't really criticize the film much. Donaldson didn't really have to try too hard (it's not really about dazzling creative filmmaking) because the historical events, when the world was just a step away from World War III, guaranteed a spectacle filled with emotions and tension. I would appreciate less pathos, references to religious faith, and blatant invocation of family values. But as I've heard others say, that's just part of America and the director actually held back. There is a bit too much of Kevin Costner in the film but considering his involvement in the production, it's understandable. Moreover, this film is among the best in his career. Overall impression: 75%.
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Given the theme, it’s too self-aware and not pathetic enough. It's basically a film made on a shoestring in one set – those 80 million must have gone to the cast, because it certainly weren’t spent on the visual effects that look from the 1980s. But it's quite dynamic with a very strong theme, and Bruce Greenwood gives JFK a fluidity and charisma apparently very similar to what the memoirs say the real Kennedy possessed. It’s not all that watchable, but it’s very nice to listen to. The most dramatic scenes are the ones where they talk in a huddle, that’s not something you want to see every day.
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