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Drehbuchautor Felix Bonhoeffer hat Zeit seines Lebens zwischen zwei Welten gelebt – der Realität und seiner eigenen Traumwelt. Als er an einem neuen Drehbuch schreibt, treten die Charaktere seines Scripts plötzlich in sein Leben und ergreifen Besitz von ihm. Träume, Zeit und Realität verschmelzen immer mehr miteinander. Wird es Felix gelingen, Realität und Fiktion zu trennen, bevor er an einen Punkt gelangt, an dem er nicht mehr unterscheiden kann, in welcher Welt er tatsächlich lebt? (Verleiher-Text)

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Englisch I have one request, Anthony Hopkins: Sir, please stick to acting, because Slipstream does not show that you could succeed as a screenwriter and director. Slipstream looks more like something made by a young music video creator who has watched several famous Lynch films and thought it was nothing difficult and decided to try it too. Visually and content-wise, it does resemble Lynch's quirks, but the characteristic surrealism and hypnotic atmosphere of Lynch's works are missing. Instead, we get frantic editing and a lot of pointless "gimmicks" with which Lynch skillfully manipulates the viewer, but here they clearly lack any meaning. This is a case of a film that I had had enough of within five minutes, but because I felt foolish being done with it so quickly, I suffered for longer, hoping my opinion would change. Perhaps some of the scenes are unintentionally stupid to the point of being amusing. In all aspects, it is a failed experiment. Overall impression: zero multiplied many times over. However, I can recommend it to intellectually oriented snobs and masochists... ()

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