Rescue Dawn

Das US-amerikanische DVD-Cover sieht wie ein actionreicher B-Movie mit Snipes oder Seagal aus. Diejenigen, die sich solche Filme anschauen und denen der Name Werner Herzog nichts sagt, werden enttäuscht sein. Es ist nämlich kein Actionfilm. Rescue Dawn ist eine psychologische Geschichte mit einer minimalistischen Produktion über Beziehungen in einer Gruppe von Personen, die im Dschungel isoliert ist. Über den Optimismus und die Hoffnung auf Rettung. Obwohl Herzog manchmal mit der Malick-Poetik der Harmonie zwischen Mensch und Natur flirtet, nutzt er überraschenderweise keine düsteren Töne. Er schuf auch Raum für sanften Humor und Verspieltheit. Das Ergebnis ist ein psychologisch einfühlsames und forschendes, unkonventionelles "good-feeling" Abenteuer. Und außerdem ausgezeichnet gespielt. (05.11.2008)

An unconventional film with a classically constructed story about a group of patriots imprisoned in the heart of the Vietnamese jungle by a gang of deranged Viet Cong soldiers. The plot is very dense and their interconnections are crucial to the story. The acting is excellent and the atmosphere of the Vietnamese wilderness is gripping. The poetry surprisingly takes a backseat, instead opting for an interestingly devised realism with a slight psychological dimension (the group's mental problems, delusions). It’s not action-packed, yet quite hypnotic and very enjoyable to watch. The terribly directed plane crash is disappointing and the action scenes are quite confusing, indicating that this is not the director's strong point, but overall it is a high-quality and above-average flick that precisely meets the above-standard 75%, which due to the excessively running time and my slightly higher craving for action, I round it down. (19.12.2008)

Given that the story was based on a true event, I can sort of bite the ending, which I would have seen darker. But in this story, it's simply about survival. In the end, he is one of the few people who made it through the jungle and survived. Unbelievably raw in what you see, intense and unpleasant. Christian Bale clearly shows that he is a great actor who will do anything for a role. Especially his scenes with animals are truly bizarre. This belongs to him. If it only took place in the jungle, the film would have an even higher rating. (14.03.2014)

The opening was very awkward, with very amateurish and unbelievable sets and effects, and for a while I wanted to turn it off. Fortunately, I didn't, and Herzog gradually began to show much more clearly where he was actually going with the story. Don't expect any over-the-top action, because Dieter is definitely not going to exterminate one Vietnamese after another like Rambo. Instead, look forward to a nice portrayal of the hopeless and desperate situation a group of captives find themselves in. Their position, woes and unbreakable character are guaranteed to infect you throughout the film, you will root for them and you will enjoy the ending, even if it is not entirely happy. (31.01.2012)

Unconventional and distinctive filmmaker Werner Herzog and Christian Bale in the grip of the Vietcong? I couldn't have imagined a stranger combination, but it worked out just fine. Probably the most "normal" Herzog film, but that's not to say it's the least interesting. With a few exceptions (a somewhat mishandled airplane crash), it's a brilliantly told drama, whether it's the hardships in a Vietcong prison camp (yet not cheaply "colourised") or the escape through the jungle, where scenes like leeches being ripped off just don't get out of your head. In terms of the degree of realism and "jungle sweat" there is a comparison with Aguirre, Wrath of God, but Rescue Dawn is told in a much more understandable language, so much so that you can feel the inclination towards the mainstream (of course, in terms of Herzog's work). Well, if others here are singing praises to Christian Bale, I have to single out the entire central trio. Late in the film, the splendidly skinny Bale looks as if he has just stepped off the set of The Machinist, and in places he gives a performance on the verge of being physically unbearable. The hirsute Steve Zahn finally got rid of his usual acting position of a total looser and is absolutely magnificent. And last but not least, the bone-skinny Jeremy Davies, with his Jesus-like visage (where is that studiously polite guy from Saving Private Ryan?), who looks as if he’s permanently rehearsing and, as in Soderbergh's Solaris, performs completely mimetic acting (nonsensical hand gesticulations, etc.). But in this case he’s playing a man mentally scarred by the hardships of imprisonment, it has its place and it looks great!! I was really looking forward to see the 'new Herzog' after years of his filmmaking fast and I am very pleasantly surprised, despite the weak start and the honey-sweetened finale. (10.12.2007)