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Ein Passagierflugzeug stürzt mitten im Pazifik auf eine einsame Insel, weitab vom Kurs, jede Hoffnung auf Rettung erweist sich als Illusion. Nur 48 Menschen überleben. Einer von ihnen, der junge Arzt Jack (Matthew Fox), kümmert sich sofort um die Verletzten. Obwohl er selbst verwundet ist, versucht er, Ruhe in das Chaos zu bringen. Die besonnene Kate (Evangeline Lilly) hilft ihm dabei. Bei einem Rundgang über die Insel stoßen die beiden auf die zweite Hälfte des Flugzeugwracks – und den Piloten, der plötzlich verschwindet. Als wenig später seine Leiche in einem Baum hängt und eine andere Gruppe von einem Bären angegriffen werden, scheint klar zu sein: Das Eiland ist noch unwirtlicher, als es aussieht. Und die mysteriösen Vorfälle reißen nicht ab ... (ProSieben)
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Lost (2004)
The series Lost was preceded by the reputation of something that had not yet been made, a grandiose series for the 21st century, a phenomenal commercial hit, and a great spectacle. I didn't know exactly what it was about, but excited by the reviews, I was expecting some sort of hybrid between Twin Peaks and Dekalog. After watching the pilot, my eyes just rolled and I said to myself that I was a fool. I have seen some things and I know very well how popular culture works, so I can take the enthusiastic applause with a grain of salt. Among all the TV hits of recent years, Lost appealed to me the least. The excellent sci-fi author Frederik Pohl preached that an author can make up whatever they want until they're blue in the face, but they must adhere to basic logic and internal connections of the world they have created. The world of Lost seemed incredibly over-complex and unbelievable to me. An airplane crashes from a height of 10,000 meters, breaks into three pieces, and in its wreckage, fifty passengers survive with just cuts and minor injuries - and one serious injury on a character where the writer apparently needed it. The survivors utter wise words that the writer may consider appropriate, but they didn't even occur to me, not even in a situation when I flew off the road at a speed of sixty kilometers per hour and landed on the wall of a house. I was in greater shock than the characters of the series. Even the choice of actors - their age structure and characterization seemed like an artificial construct of the writers. I understand that the scheme the authors and the crew came up with allows for practically infinite plot games and an incredible amount of "shocking" plot twists, and playing the mystery game can entertain viewers just as much as the artificial world of reality shows, but it's simply not for me. I watched about three more episodes, but the final impression was always the same. Fans of the series can understandably explain to me that I simply didn't understand the series because in episode 85 or 385 everything will be logically and brilliantly explained, but I would still feel that the previous 84 or 384 episodes were va waste of time. Lost did not enrich me in terms of genre. Overall impression: 40%.
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