My Fair Lady

I love the beautiful Audrey Hepburn and her hokey English. I love the soundtrack. I love this movie, and therefore "The Rain In Spain Stays Mainly In The Plain!" (13.04.2003)

I love musicals, Audrey is nice, and the story is suitable for comedic banter and grand performances. Only the running time... Almost three hours is insanely long, and one of the final conversations between Higgins and Eliza almost ruined it for me with its dragging pace. Otherwise, there is plenty of humor, beautiful songs, and outstanding actors. As a whole, though, only for forgiving 70%. (26.12.2006)

I'm... I’m still smiling. It's not that kind of grin that makes you feel like your hinges are going to bust and you're literally going ear to ear. No, it's a pleasant smile, a gentle sparkle in the eyes. Perhaps that's a sign of contentment? Maybe, could be. So how did I get to five stars? At first, I couldn't stand Liza – hearing her, seeing what she got up to; it was something awful. Seriously. Which is to say, Audrey hung in there and handled her role perfectly. For me, the whole film rests on her performance; without her, where would it be? The other thing that captivated me was the delightful dialogue, such a beautiful play on language! Higgins' mother is a wonderful lady and I wouldn't mind having her as a mother-in-law :) And the ending... Without pouring out that beating muscular organ. Without the big speeches and hugs and reassurances that everything from now on will be good, great, with much love. Which I very much appreciate. Another plus was the costumes, especially at the races – those fabulous hats :) the only thing that bored me was the unnecessarily long songs. I wanted to move on, at least one step forward, and yet they kept repeating the same lines. Yes, I thought, I got it the first time, truly, and I’m amazed I didn't start gnashing my teeth :-D But the movie gets 5 stars – mostly for the smile and the inner peace. (01.03.2009)

A classic musical and one of the basic pillars of the genre. It drew on both George Bernard Shaw's popular play and the support of the studio, which rightly saw the guaranteed box office success of the film and did not regret the set design and star actor costs. The experienced direction of George Cukor and the casting of the delicate, typologically perfect Audrey Hepburn emphasized its success. Overall impression: 95%. (21.01.2009)

Schreckliche Monstrosität, zu lang, statisch und unglaublich veraltet für seine Zeit. Das Musical selbst hat kaum zwei denkwürdige Hits, Cukors Verfilmung ist lediglich eine Plattform für den sprachlichen Exhibitionismus von Audrey Hepburn und Rex Harrison. Ich bevorzuge die Inszenierung im HDK, die ich in guter Erinnerung habe, mit Blanarovičová, die für ihre Eliza den Thalia-Preis gewann. (18.12.2021)

Audrey Hepburn in top form and with her boorish English she makes the film such an exceptional experience that it richly overcomes the complete lack of dance numbers and the unprecedentedly naive romantic plot. A few of the songs actually do work out and Rex Harrison gives the main character a rather proficient "nod", but let's face it... when Audrey isn't in front of the camera, it's pretty boring. 75% (06.08.2013)

Let me say outright that I hate musicals, and those I rate highly are exceptions to the rule. My Fair Lady had three things going for it: 1) it was based on G. B. Shaw's play, 2) they used to put more effort into writing the music and lyrics back in 1964, and 3) (the biggest plus) was the presence of Audrey Hepburn. When I realized that one of the songs was the inspiration for the Lumberjack Song from Monty Python's Flying Circus, it was a done deal :-) Seriously, Audrey Hepburn was enchanting (especially in a horse race outfit); the collision of standard English and a Cockney accent was hilarious, as well as the clash of the two different characters. / Lesson learned: Clothes and speech make the man. But only on the outside. (23.03.2023)

Beautiful musical, which is so simply and effectively stylized that it will either enchant you or repel you with its sterility. Compared to the contemporary European stage, it is essentially theatrical kitsch, but with such great acting performances that it still touches your soul. A bit long, but it doesn't really matter. Audrey is enchanting in all her roles. (13.05.2015)