Stolz und Vorurteil

Gorgeous. With the very first shot and the first notes of the piano, I was captured and only released with the closing credits, emotionally enriched. It's hard to see a film so well directed, so easily narrated and so wonderfully acted. Artistically, too, it is flawless – thoughtful composition of images, imaginative cinematography, elaborate sets and costumes, here the Oscar nominations are very appropriate. Same with Keira Knightley, she doesn't really appeal to me as a woman (see Tetsuo's comment), but here she was divine, in both her acting and expression. And I can hardly imagine a better Mr Darcy than Matthew Macfadyen's either. In short: for the first time in a long time, a film that struck a chord with me. PS: I'm getting really interested in Jane Austen adaptations, I'm going to look for Lee's Sense and Sensibility. (27.08.2022)

A simple glance at the thickness of the book suggests that the task of cramming a sprawling plot into two hours of film was a daunting one for the director. Wright opts for a rather unfortunate method of occasional abbreviation, which produces a terrible stew of names and family-social ties right from the get-go. This hesitation is unfortunate because if the runtime had been extended by 20 minutes, the beautifully staged emotions would have stood out a hell of a lot better. Thus, all we have left is a promising hint of how catchy of a story the director can tell: the cinematography is charming, the set design is settling, the actors are decent - as befits the English - and the overall composition smacks of the sweetest kitsch. However, this merry-go-round of engagements and weddings is so sensitively, humorously, pleasantly, and above all sincerely filmed that much can be forgiven. At present, the boundaries of the genre could not be better. (11.03.2007)

The folly of the powerful in a British form from the pen of Jane Austen couldn’t have been better. Her world is very far from what I imagine as an ideal bedtime story. Reading her books would be make me totally desperate. The movie is a different case, however. Joe Wright honors the source material and so there is a number of higher-class conceited characters that you would like to shoot with a cannon from a Soviet T-100 tank. But the film is lucky because the dialogues are brilliantly written so there is always somebody to shut them up with a polite, cynical word. That and the very pretty shots prove that it would be a shame to overlook this film. (21.09.2018)

I like imaginative adaptations , which this one certainly is. The problem is that I was unable to believe MacFadyen's Mr. Darcy for a second. And Pride and Prejudice without a good Darcy is like the Milka cow in brown – just ordinary. (10.07.2009)

The deep and stunning eyes of Miss Keira took me to a place where no road is long enough or too muddy, and where no game is good enough not to have a better one. When, in addition, the enchanting music reaches its strongest twist, you want to be Mr. Darcy, who gets a chance to show himself in the right light, or be Elizabeth and suggest the truth to everyone with her straightforwardness. But what fascinates me the most is that even though Jane Austen's original is charming in its verbosity and lushness, director Wright managed to reduce it so excellently that it clearly surpasses it. (19.02.2006)

I cannot review this film completely objectively - the problem is not that I consider the subject matter to be too "feminine" or that there is no trace of romance in me. However, I am a descendant of the plebeian society and plebeian ancestors, so instead of being moved by noble manners and witty sparkling dialogues, I feel like grabbing a pitchfork, poking Mr. Bingley in the backside, and shouting: "To the Bastille!" Besides, I get the feeling that the creators did not capture Jane Austen's essence very well. In reality, she was more like an English Chekhov of the late 18th century. She had her own thoughts about the manners and conventions of the confined aristocratic society, and her novels can be read more as a gentle social satire on contemporary morality. However, the humor in the film shifted more toward romantic comedy than satire. Keira Knightley is perfect for her role - delicate, fragile, romantic, and charming. However, her male counterpart lacks the charisma that Colin Firth showed ten years earlier. The cinematography and the selection of exteriors are very good, and the period music accompaniment is pleasant as well. Overall impression: 70%. (18.07.2006)

Formally it’s absolutely great, but, unfortunately, in every other shot or dialogue I felt like I've seen exactly this countless times before and executed better. Pride and Prejudice did not offend me in any way, it has unusually sharp and witty dialogues for the period it is set in. Similarly, I liked Keira Knightley’s frankness and honesty. However, as a story about love and relationships, this piece didn’t resonate with me deeply, which is quite a mystery considering my taste and feelings. Perhaps it is too artificial – that's how I would characterize the whole thing in one short and telling sentence. There is emotion, yes, but everything somehow drags on, it creeps... concealment, true love, artificial love, the customs of the aristocracy... I've seen it all elsewhere... nothing new under the sun. (15.10.2006)

Die literarische Vorlage habe ich gelesen, eine andere Adaptation habe ich nicht gesehen. Ich kann also sagen, dass ich sehr zufrieden bin. Der Film ist atemberaubend. Er hat wunderschöne Bilder, ausgezeichnet aufgenommene Szenen (z. B. die beim zweiten Ball), Marianellis eindrucksvolle Musik und natürlich die hervorragenden Schauspieler*innen. Man kann sagen, dass ich mir beim Lesen alle Figuren genau so vorgestellt habe, wie sie in diesem Film dargestellt werden. Es gab nur zwei kleine Unterschiede: Mr. Collins war in der Vorlage nicht so lächerlich und der alte Herr Bennet nicht so sympathisch (Donald Sutherland ist Donald Sutherland). Keira Knightley und der fantastische Matthew Macfadyen waren perfekt. Der einzige Schönheitsfehler sind ein paar Momente im letzten Drittel, die ich ein bisschen langweilig und überflüssig fand. Das habe ich daran gemerkt, dass ich auf einmal nachgeschaut habe, wie lange der Film noch dauern wird. Viereinhalb. (23.07.2011)

I still can’t believe I loved this movie so much. A sprawling and unimaginative plot stretched out over two hours, peppered with Keira Knightley's sweet smile, romantic sets and a perfect happy ending... am I really supposed to like that? Well yes. Perhaps I forgot to mention what a huge charm that sweet smile has, how apt and captivating the romantic and history-laden production design is, how skilled a director Joe Wright is and that the story under his baton is brimming with weddings, engagements and carefully spaced out emotions so unobtrusively, and of course, you just can't resist. It's a pity that the director sometimes visibly skipped ahead a few pages and tried to shorten and simplify the very rich plot of the book, and it took me a while to sort out everything in my head. Otherwise, however, a refined and brilliantly executed spectacle with all the trimmings... (16.07.2012)

One would think that a guy wouldn't enjoy this, but the opposite is true. Magical performances, as well as a timeless love story that almost didn't come true just because people are idiots, simply captivate even today's men. True, at times it can be a bit boring, but this time it's not such a high price to pay. However, those two hours still go by quite quickly, thanks to Wright's confident direction. (26.02.2014)