Die lässige Welt

Experimental realism in an American rendition focused on race issues and the issue of crime is not exactly a film that is as intriguing as you might think after reading some annotations. This is simply a film of a woman who went to Harlem with a camera, filmed something there, and people could get upset about the problems America actually has. Today, it definitely doesn't feel like an eye-opener anymore. (27.04.2015)

The story of the teenage protagonist, whose only dream in life is to obtain his own "piece" (gun), really doesn't leave much room for understanding. After all, it is not normal in most places for children's games with balls and scooters on dirty and always-crowded Harlem streets to turn into similar games with machetes and throwing knives. At that point, preaching that Jesus was black seems quite arrogant and ridiculous. However, this was still in the early 60s and segregation had been abolished by the Supreme Court only about ten years prior, but in the minds of "whites," it would continue to survive for a long time. This was also with the prospect of a future without opportunities (which can be broken through, but with much more effort than others who have the "right" color and don't live in the Harlem ghetto, which, by the way, is only separated from the "real" Manhattan by Central Park...). The film itself has a visually captivating quality with elements of cinema-verité, which often resemble the New Wave. (22.05.2013)