Lumberjack the Monster

Ein interessantes Thema mit einer unkonventionellen Charakterisierung der Figuren, insbesondere des mehrdeutigen Hauptprotagonisten Akira, und unerwarteten Zusammenhängen mit ihrer Vergangenheit. Ein Detektivkrimi mit einem kalten, aber charmant unterhaltsamen Stil von Miike, der ständig neue Fakten enthüllt, die den vorherigen seltsamen Ereignissen Sinn verleihen. Leider jedoch ohne ein ausreichendes emotionales Engagement, das den Film zu einem stärkeren Erlebnis machen würde. [Sitges FF] (15.10.2023)

Ungewöhnlich konzipierter Detektivfilm mit einer interessanten, etwas Sci-Fi-Prämisse, die das Verständnis der Hauptfigur des Zuschauers umkehrt. Mit seinem B-Movie-Potenzial hätte es vielleicht nicht die vollen zwei Stunden haben müssen, aber es handelt sich auf jeden Fall um eine sehr solide Unterhaltung, die an das Beste aus dem umfangreichen Werk von Takashi Miike erinnert. [Sitges 2023] (24.10.2023)

Due to the imaginative nature of the whole concept (Japanese folk horror meets Dexter meets Black Mirror), it repeatedly cycles through (necessary) passages where one character explains at length to the other (read the viewer) "who, what, why, how". It doesn't have a breakneck pace, and it feels a touch longer than the billed two hours. The infodumping could have (and should have; even considering the author's abilities) been delivered in more cinematic language rather than through static conversations, with the special finale feeling like a live-action episode of Scooby-Doo. It doesn't matter that much, though, because the ambivalence of the characters, along with the concept, pull it off. A hard to describe study of (a)morality, where the responsibility for oneself, who is or isn't a monster under the surface, where the responsibility of a psychopathic personality for whom actions (don't) speak begins or ends, but delivered in a genre-bending trashy style of Takashi Miike. There is a rampaging monster, but there are no horror scenes. It's seen from the point of view of the police, who make their way to the crime scenes, and primarily through the eyes of one of the potential victims, who doesn't feel like a victim, on the contrary, she herself is often on the hunt. It's original, imaginative, thought-provoking and just plain good. However, there was room and talent involved to elevate this to another of genre chameleon of Miike's timeless cult films. It's intriguing, it's out of the ordinary, but for many it will be more of the "much more fun to discuss in the pub over a pint than to watch for two hours" variety. (03.06.2024)