Inhalte(1)
Stine and Teit, your average urban middle-class artists and intellectuals, leave Copenhagen for the wilds of neighbouring Sweden’s forest. Soon, they find out that something is strange there – most disturbingly – when their son Nemo suddenly thinks his mother isn’t really his mother anymore. It becomes clear once Stine and Teit discover that they have neighbours who look exactly like them – mirror images made flesh and blood. The subject of reflections and doubles is introduced in the film’s first shot: a view of a lake landscape turned 90° so that the water’s surface runs vertically through the image’s centre. Only once the shot gets tilted is it revealed which side mirrors which. Later, a mother and child are reflected in a glass door. However, this is not your doppelganger thriller of the gothic variety. Note the title: in physics, superposition means (per Merriam-Webster) "the combination of two distinct physical phenomena of the same type (such as spin or wavelength) so that they coexist as part of the same event". This is more a metaphysical meditation towards the realisation that none of us is ever alone, but also never unique. (International Film Festival Rotterdam)
(mehr)Soundtracks
Superposition
Original Motion Picture Soundtrack
Label: MovieScore Media
Jahr: 2023
Land: Schweden
Format: CD, digital
Länge: 45:10
Notizen: CD-R on demand.
1. | Superposition | Pessi Levanto | 03:20 |
2. | Opening And Disappearance | Pessi Levanto | 03:24 |
3. | Happy Days | Pessi Levanto | 03:22 |
4. | The House | Pessi Levanto | 01:40 |
5. | There Is Something Across The Lake | Pessi Levanto | 03:28 |
6. | Midnight | Pessi Levanto | 03:02 |
7. | The Doubles | Pessi Levanto | 02:53 |
8. | Posing As Herself | Pessi Levanto | 05:15 |
9. | Lovemaking | Pessi Levanto | 03:46 |
10. | Stine's Plan | Pessi Levanto | 01:58 |
11. | Forest Interlude | Pessi Levanto | 01:50 |
12. | Tarzan | Pessi Levanto | 02:53 |
13. | The Knife | Pessi Levanto | 02:14 |
14. | Leaving | Pessi Levanto | 03:57 |
15. | End Credits | Pessi Levanto | 02:08 |