Regie:
James MangoldDrehbuch:
James MangoldKamera:
Eric Alan EdwardsMusik:
Howard ShoreBesetzung:
Sylvester Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Peter Berg, Janeane Garofalo, Robert Patrick, Michael Rapaport, Annabella Sciorra (mehr)Inhalte(1)
Das 1280-Einwohner-Örtchen Garrison hat eine besondere Bewandtnis. Die Einwohner sind ausnahmslos Cops aus New York und ihre Familien, die hier ihre wohlverdiente Ruhe ausleben. Doch in Cop Land ist nicht alles so sauber, wie es auf den ersten Blick erscheint – der Ort wird durch die Mafia finanziert. Als der junge Polizist Murray Babitch zwei unbewaffnete Schwarze erschießt, kommt mit dem Internal-Affairs-Agenten Moe Tilden Unruhe in den Ort. Er muß sich mit dem halbtauben Verlierertyp und Sheriff von Garrison Freddy Heflin auseinandersetzen. Dieser sieht zum ersten Mal die Gelegenheit, aus der Rolle des Losers herauszuspringen, verspürt aber gleichzeitig Loyalität zu seinen Mitbewohnern unter der Führung von Ray Donlan. (Verleiher-Text)
(mehr)Kritiken (3)
Sly looks good here with his beer belly, but that doesn’t make him a character actor, though at least he tries and I had no problem believing him in the role of an honest cop. Some of the great actors alongside him, on the other hand, don't try very hard, acting giant De Niro's performance is not very good. The story, corruption in the ranks of the police, is nothing original, nothing I haven't seen countless times in other films. Still, I can't say that I was bored, also thanks to the well-crafted conclusion. Mangold was just cutting his teeth in his second directorial venture, but even that was enough for a fairly pleasant movie.
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Despite all those stars, it’s nothing but average. I don't understand De Niro's participation at all, his role was terribly bland and quite unnecessary in the overall context. The only ones who stand out are, surprisingly, Stallone as the sheriff, and Keitel as the corrupt cop. The film's attempt at some character psychology deserves praise, as well as the fact that it doesn't play at being more than what it really is, and that it doesn’t throw any shocking twists or big action set-pieces. It's just another American fairytale of good guys versus bad guys, of which many have been made, and much better and more entertaining. 60%
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The screenwriter and director in one failed to fully exploit the potential of a pretty decent theme and a stellar cast, but I really enjoyed watching those young men :-) It's a real shame that James Mangold couldn't get more out of this theme. Had he been able to do that, it would have been a very decent four-star thriller.
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