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It's been a long time since a film managed to evoke so much sadness, regret and compassion in me, and it's all the more surprising that it was Darren Aronofsky who did it. I know he's a highly respected director, but his films are not among my favorites, and I don't feel the need to revisit them (except for Requiem for a Dream). This film probably won't be an exception, but it definitely appealed to me more than his previous works. Apart from the very captivating music, the film stands mainly on Brendan Fraser's performance, which is incredible; considering how he pulls everything together with his voice, his face, his facial expressions, his eyes – the performance was incredible. Sadie Sink is undoubtedly a talented young actress, but unfortunately I didn't like her character. Of course, I understand where her anger, resentment, bitterness, maybe even hatred stems from, but I couldn't find my way to her. She was evil from start to finish, and the hint of reconciliation in the last second of the film wasn't enough to mollify me. Nevertheless, this is an interesting and novel piece of work, and one that emotionally swayed me quite a bit.

Louis Garrel is undoubtedly a bearer of great talent. As a director, he managed to freshly combine a family drama with a heist romantic comedy. And as an actor, he is very unique, in that he is very low-key, but at the same time memorable and incredibly believable in expression and emotion. He plays the concern for his mother and best friend very sensitively, and is also very convincing in his distrust of his mother's new partner. These are qualities that can be observed in all his fellow actors. Above all, though, I'll single out Noémie Merlant, who is amazingly cute, likeable, and even though she's a goofball, she's believable. All of this coupled with an inventive script full of comic but also dramatic scenes combine to make a film worth seeing, and not just once.

An extraordinarily compelling documentary about two courageous people who were united not only by their love for each other, but also by their love for the scientific study of volcanic eruptions, which was their life and fateful mission – undoubtedly a beautiful and fascinating hobby, just a bit unpredictable and full of pitfalls. While the vast majority of people run from this destructive element, Katia and Maurice Krafft tried to get as close as possible, and thanks to them, we can witness some incredibly beautiful and breathtaking footage.

I try to enrich myself with Asian cinema from time to time, so I decided to watch this film because I came across it often. It is a very slow, sensitive and thoughtful story. We have to wait longer to uncover the characters' troubled pasts, but you won't be disappointed, this is a story of escape, reconciliation, forgiveness and hope. The performances are very moving, and despite the very long running time, managed to keep my attention until the end.

It's time someone took the fight to save the planet firmly into their own hands – and why not the children? We tend to underestimate them, but they often hold up a mirror to us, and thanks to their innocence and selflessness we have a lot to learn from them. And the ease with which they communicate and conduct relationships is an inspiration. The beginning of the film, when the parents discover what their son has sold them, is wonderfully comic and funny. It's all so fresh, delightfully naive, utopian, critical.

I understand what the film is trying to say, but unfortunately it didn’t work on me. From Léa Seydoux's performance (I didn't believe a word she said, a single look, her misery) to the protracted pace of the film, I was terribly bored and suffered a lot. And the fact that I found every character extremely unlikeable certainly didn’t help. I always praise French cinema, but this one, unfortunately, I can neither praise nor recommend.

A brilliantly escalated psycho conversational drama. I really appreciate the gradual unveiling and escalation of the seriousness of the conversation between these two neighbors, it makes you wait a long time to see what will come out of it. And even though it's not very comedic in the end, I had a lot of fun when Bruno somehow always felt the need to criticize Daniel's works (putting down his acting performances, but also the scripts themselves) and how Daniel tried so hard to pretend that he wasn't affected at all and that he didn't care about the opinion of some ordinary viewer. And how he kept trying to leave, but kept coming back because he needed to know more; in that respect I found it hilariously funny, otherwise it was rather creepy. The direction and the acting are great. Daniel Brühl clearly has talent.

This nice conversational drama offers a lot to think about and is full of the contrasts the main protagonists embody: young, confident, relaxed, spontaneous Leo Grande tries to fulfill the sexual desires of the older, uptight, stubborn and not very confident teacher Nancy, who is mostly very nice, but at the same time very unlikeable and intrusive for my taste. Emma Thompson plays her brilliantly as expected, and I must say she has my great admiration, she revealed herself with refinement. I guess one of the main ideas would be that it's never too late to change and try new things. Most of the scenes and dialogues felt very real to me, except for the last one with the former student in the hotel restaurant, but never mind, I forgive this little thing because I enjoyed the film overall.

The most surprising documentary in my life. It's been a few days since I saw the film and I still have that warm feeling it evoked in me. I’m recommending it to everyone. An incredible caress to the soul. The last time I was this moved was maybe in 2011 with Intouchables. I’ve always loved octopi... on a plate, but now I can’t imagine myself eating one ever again! For the first time in my life I'm thinking about vegetarianism, and so far no film has managed to do that – even videos from slaughterhouses or factory farms have failed to have any effect on me, and yet this film doesn't even push the idea that eating animals is wrong. How is it possible? Because this documentary has a heart, it doesn't offer much in terms of science, just heart, love and respect for animals and nature. For me, just wow!

I really don’t know what to think. It has a cute beginning, the theme is a bit sad, interesting (not something we’ve seen a thousand and more times), but I couldn’t find my way to it. Laia Costa was perfect in her role, but I found O'Connor unconvincing, he didn't suit me at all. This film is proof to me of how important it is to choose the right actors to work with when creating a love story (of course, this is very subjective). For comparison, in Foodie Love, Laia Costa and Guillermo Pfening make a couple whose chemistry is so palpable that you can feel it in your living room, their attraction instantly drawing you in, making you feel personally involved. Here I just didn't believe it and it failed to evoke the emotions I needed.