Surge

Surge places us somewhere between figuration and abstraction: its displayed forms defy full visual comprehension, as they stretch and snap in strict accordance with the complex beats and sheets of sound created by schtum. Only very lazy critics could label Roisz’s complex, enthralling pieces as “music video”; she is, in fact, taking us into a new realm where image and sound achieve an unstable, forever disintegrating synthesis. (Viennale)