Hei tai yang 731
Inhalte(1)
Erzählt wird die wahre Geschichte des Lagers 731, in dem die japanische Armee-Einheit 731 gegen Ende des Zweiten Weltkrieges grauenhafte Experimente und Morde an der chinesischen Zivilbevölkerung und Kriegsgefangenen durchführte. Im Mittelpunkt der Handlung stehen japanischer Jugendliche, die im Lager 731 ihre Ausbildung erfahren und denen jegliche Empathie abtrainiert werden soll. (Verleiher-Text)
(mehr)Kritiken (2)
"Hei tai yang" currently doesn't stand out and its meaning essentially boils down to two scenes. In the first, it depicts an inventive way of skinning and removing the flesh. In the second case, it shows a scene of a child being dissected alive, which really shook me. People are accustomed to a lot, but when it comes to children... The film can probably only be recommended to those who are interested in World War II and believe that the Japanese were just as crazy as the Germans. And, of course, to those who love explicitness and extreme gore. However, even for them, it may be surprisingly disappointing, thanks to the ending and the attempt to give it more depth.
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If it wasn’t for the rather weak use of documentary techniques aiming to generate an aura of real events and push a mythological haze around unit 731 (about which not much is actually known), it could have been a pretty strong film; at least that’s the impression you get from the last scene, which leaves the slimy feeling of an endless chilling silence. But that documentary style is there and it’s the main reason the essence of the message is lost – the historic moral doesn’t look like an end but as a means for a cold portrayal of human depravity that you can’t avoid looking at (though I recommend closing your eyes in at least three scenes – the one with the “bare” hands chilled me like probably nothing ever before). We are not given the chance to relate to any of the characters (and we should, because the core should be the rebellion of the young and innocent recruits) and the only thing you’ll remember is some bits and pieces, which are not lacking strength, but their effect comes mostly from the cruelty and the very convincing visual effects (and I have reasons to believe some of them were not actually effects, according to the director, the autopsy of the little boy was real and I refuse to believe the cat being eaten by hundreds of rats was faked). It’s not a pleasant film, but not in the way it should be. 40%
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