Una donna e una canaglia
Regie:
Claude LelouchDrehbuch:
Claude LelouchKamera:
Claude LelouchMusik:
Francis LaiBesetzung:
Lino Ventura, Françoise Fabian, Charles Gérard, André Falcon, Elie Chouraqui, Silvano Tranquilli, Georges Staquet, Mireille Mathieu, Claude Mann (mehr)Inhalte(1)
Nach sechs Jahren Gefängnis wird Simon vorzeitig entlassen. Denn die Polizei hofft, mit seiner Hilfe auf die Spur seines Komplizen Charlot zu kommen, der bei dem gemeinsamen Juwelenraub mit der Beute flüchten konnte. Nach seiner Freilassung zieht es Simon jedoch zunächst zu der schönen Françoise, die er bei der Vorbereitung des großen Coups in Cannes kennengelernt hatte; Erinnerungen an den raffiniert geplanten Raubüberfall werden in ihm wach ... (arte)
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With every new film by Claude Lelouch, the French director climbs up my chart, and I have no choice but to include him in my top favorites. It is a case of quality clever filmmaking that doesn't spare the viewer, so even in a genre film, it must engage your brain. A quality screenplay combined with an excellent cast and sensitive direction gave rise to a crime story combined with a love story. As is customary for Lelouch, from the first scene, he pays tribute to the art of cinema, as convicts watch a film screening and, in several dialogues, the characters discuss their relationship with films. Thematically, Lelouch builds upon his earlier film A Man and a Woman. This time, however, he places his story in a more attractive framework of the preparation of a crime. Pleasant and credible dialogues, subtle gags, and a decent pace. Overall impression: 90%. Lelouch doesn't make bad movies, but so far, I have only given his past films four strong stars. This time, with a clear conscience, I give five.
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