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In Harlem soll Detektiv John Shaft die entführte Tochter eines Gangsterbosses befreien, ohne Rücksicht auf Verluste. Er gerät zwischen die Fronten eines Mafiakrieges, aber Shaft ist mindestens genauso hart wie die Mafia, nur viel, viel cooler... (Verleiher-Text)

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kaylin 

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Englisch This film simply lacks the drive to captivate you and keep you on the edge, not allowing you to catch your breath the entire time. Even though it's an action film, it's actually quite slow-paced and narratively simpler, which also means it doesn't work very well as a thriller. Shaft is certainly an interesting character, but here I don't see his potential being fully utilized. ()

Lima 

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Englisch “Who's the black private dick that's a sex machine to all the chicks? Shaft!", says the film’s theme song. Shaft was the first one, he brought the blaxploitation genre to the world of cinema, he brought a black hero who has women falling into his lap like on a treadmill, who’s not afraid of blacks or whites, who, when needed, is appropriately aggressive yet smart. And it was a hit with black young boys from the suburbs who flocked to the film in droves. Yet the film's reputation is a bit ahead of its quality. I was expecting more wisecracks, more sex (2 girls in the whole film? - Shaft you’re disappointing), more action and more violence (three smaller action sequences don't pull it off). Even so, it's interesting, if only for the great atmosphere of early 1970s New York, the period clothing, the cars and the black junkies dealing. And the white population plays an irrelevant second fiddle, as it should be in a proper blaxploitation flick. ()

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