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Inhalte(1)

Für Sam (Josh Radnor), einem New Yorker Autor in den Zwanzigern läuft momentan nichts nach Plan - weder seine Karriere noch sein Liebesleben. Das zufällige Aufeinandertreffen mit einem Pflegekind bringt zusätzliche Unordnung in das Leben des verantwortungs- und beziehungsängstlichen Sam. Doch als er die Nachtclubbedienung Mississippi (Kate Mara) trifft, ist es um ihn geschehen und aus einem One-Night-Stand wird mehr als Sam je gehofft oder gefürchtet hätte. Nun, mit einem Kind an der Backe und einer Frau, die er kaum kennt, in seinem Leben und in seiner Wohnung, gerät Sams Leben völlig aus dem Ruder.... (Verleiher-Text)

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Matty 

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Englisch As an appetizer for a Woody Allen film, this relationship comedy does not disappoint. Conscious of its actors’ abilities and the options provided by the budget, it doesn’t delve into grand existential issues, but it still could have achieved a better result in its lightweight category. In the introduction, we are unwisely left for a longer time in the company of the likable Sam, who, however, will not be the only important character. I simply didn’t have any desire to run from her to the two couples at non-rhythmic intervals. This slows the film down and makes it difficult to get to know any of the characters better. Sam’s story would have easily sufficed as a stand-alone narrative. Perhaps Radnor should have just kept the focus on her. 65% ()

novoten 

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Englisch Despite the relational study of life in New York, I did not strive to compare myself to Woody Allen, but when one dialogue "anonymously" reminded me of him, I realized that Josh Radnor wants just that. To place his narrative at least partially alongside the great one. And why not in the end? I believe in relationships, their punchlines too, and even actors are tamed exactly so that no one stands out and their smaller mosaic is adequate. There's nothing to discuss, the ideal indie contemplation is here. ()