Kritiken (1)
Artistic geology consists of several fictional and metafictional layers that are built upon each other according to the changing emotional vectors of the characters. Various levels of film plans overlap according to the current and ever-changing temporal sequence, which is partially distinguished not only in terms of its duration but also in terms of the visual sensations it evokes in the viewer (yet also deliberately confused!) by a clear differentiation through color. Not only does color, but also the interior of the characters, shatter in a constantly rotating optical prism, which passes through the camera lens not at all randomly. Hanoun, who is still unjustly unrecognized, was a talented epigone of Godard, Resnais, and Robbe-Grillet, but at the same time, he feels relatively bloodless compared to them, but that should not be a reason for his highly sophisticated and avant-garde films to be forgotten.
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